Venice Doing > Venice's Quotes

“Unfortunately, much of the important information Ambassador Grew sent to Washington was largely overlooked or ignored, and dialogue between Washington and Tokyo was strained. This state of affairs is indicated by Grew’s cable on July 10, 1941, in which he pointed out that he had to go to the British ambassador in Tokyo, Sir Robert Craigie, to find out about discussions between the State Department and the Japanese ambassador in Washington. This occurred because the State Department kept the British ambassador in Washington abreast of events, who promptly informed the foreign secretary in London, who in turn informed their ambassador in Tokyo. Sir Robert then kindly passed the information to Ambassador Grew.”
― Dale A. Jenkins, Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway

“This stated, “Dear Mr. Prime Minister, I am delighted by the decision of your government to provide an infantry battalion for service in South Vietnam at the request of the Government of South Vietnam” The simple fact about this was that no such request was ever received by the Australian Government.”
― Michael G. Kramer, A Gracious Enemy

“Wait, Korban, are you vexed?"
"That woman, she confounds, and insults me."
"Women can perplex as easily as changing a cloak."
"The princess is delicate, not like our women."
"Yes, she is very delicate, pretty like a sweet flower."
"Well, I care not for her. I will think no more about her, ever.”
― Dennis K Hausker, Primitives of Kar

“Sir, I think you need to read this,’ he said, nervously handing over the mainframe’s dissertation of its own wellbeing.”
― A.R. Merrydew, Our Blue Orange

“Value versus Cost Economists tend to focus on cost, and, as economists, we are as guilty of that as anyone. The entire premise of our first book, Prediction Machines, was that AI advances were going to dramatically reduce the cost of prediction, leading to a scale-up of its use. However, while that book suggested that the initial uses of AI would be where prediction was already occurring, either explicitly in, say, forecasting sales or the weather, or implicitly in classifying photos and language, we were mindful that the real opportunity would be the new applications and uses that were enabled when prediction costs fell low enough.”
― Ajay Agrawal, Power and Prediction: The Disruptive Economics of Artificial Intelligence

“She was dressed in white, and her tunic had amazing flared sleeves which trailed on the ground behind her as she glided down the stairs. Her hair was a mass of dark curls tumbling around her face, and she had dark, dark eyes. Jack realized that this was what the chansons meant when they referred to a beautiful princess in a castle. No wonder the knights all wept when the princess died.”
― Ken Follett, The Pillars of the Earth

“were in town. At dawn, NBC, along with the rest of the baseball world, awakened to the irresistible story of Joe Castle and his stunning debut in Philadelphia. Suddenly the biggest game of the day was”
― John Grisham, Calico Joe

“why can't you see i'm a kid', said the kid.
Why try to make me like you?
Why are you hurt when I don't cuddle?
Why do you sigh when I splash through a puddle?
Why do you scream when I do what I did?
Im a kid.”
― Shel Silverstein, Falling Up

“Softly, reassuringly, he comforted his friend, as they waited for death together. As if the Don could truly snatch the life of Genco Abbandando back from that most foul and criminal traitor to man.”
― Mario Puzo, The Godfather

“When is the right time for anything? Who knows? Living is an art, not a science.”
― Benjamin Alire Sáenz, The Inexplicable Logic of My Life

“Strange how one minute life was a certain way and then it was another, and you couldn't remember what you'd done to make it all happen.”
― Justin Cronin, The Twelve

“At seventeen the young woman had worked out how to improve her future prospects; she would seduce the Prince.”
― Robert Reid, The Emperor

“To you, the beautiful human in you, who, like everybody else on this planet, is on an everyday struggle to love and be loved. I hope you find the love, happiness, and enlightenment you have been looking for, in you, in your backyard, in your wretched little neighborhood.”
― Merlin Franco, Saint Richard Parker

“The demise of the human race rests mainly on the shoulders of stupidity, and the abuse of power in the hands of those we have elected.”
― A.R. Merrydew

“Josh gathered his sense of injustice and faced Rodan Man-to-man, or rather, elk-to-elk, no, Netah-to-Netah.”
― Lisa Kaniut Cobb, Down in the Valley

“Her husband's visage captivated her from the first moment she saw him step out of the royal carriage a hundred years ago. How could it not? Flaminius was utterly gorgeous. But once she fell in love with him, she became happily enslaved.”
― Therisa Peimer, Taming Flame

“Much of clinician burnout is due to spending time writing notes, placing orders, generating referrals, writing prior authorization letters, and creating patient communication. In other words, burnout is caused by physicians having to generate output! With the emergence of large language models that are used to train generative AI solutions, these use cases will be at the frontier of AI’s applications in healthcare.”
― Ronald M. Razmi, AI Doctor: The Rise of Artificial Intelligence in Healthcare - A Guide for Users, Buyers, Builders, and Investors

“I watched from the raft as the beautiful deep began to swallow the massive boat of steel.
In one large gulp.”
― Ruta Sepetys, Salt to the Sea

“Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions.
Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight.
Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).”
― Italo Calvino, If on a Winter’s Night a Traveler

“We'll be remembered more for what we destroy than what we create.”
― Chuck Palahniuk, Invisible Monsters

“I love you forever, my baby you'll be”
― Robert N. Munsch, Love You Forever

“The major influence on my writing has been my reading. When I was young, I read everything, including cereal boxes and coffee labels. Reading taught me sentence structure, paragraphing, how to build a chapter. Strangely enough, it never taught me spelling.”
― S.E. Hinton, The Outsiders

“We love and lose in China,
we weep on England's moors,
and laugh and moan in Guinea,
and thrive on Spanish shores.
We seek success in Finland,
are born and die in Maine.
In minor ways we differ,
in major we're the same.”
― Maya Angelou