Kris Scheppke > Kris's Quotes

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  • #1
    Michael Tobert
    “Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.”
    Michael Tobert, Karna's Wheel

  • #2
    C. Toni Graham
    “Relax into your creativity. Allow your mind to paint the pictures of words and colors, images and lines, rhythm and melodies. Lean into your passion without strife and allow your heart to sing as you create. Share your gifts with the world as we all deserve to absorb the beauty and awes of art.”
    C. Toni Graham

  • #3
    S.W. Clemens
    “Each day a whole world passes away, largely unappreciated, numbly relegated to obligation, commerce and routine. One day seems as unremarkable as the next. It's only through the inexorable accretion of days, weeks, months and years, that we come to appreciate with heartbreaking clarity how incredibly unique and precious each lost day has been.”
    S.W. Clemens

  • #4
    Kirsten Fullmer
    “The big question was, what all was this society up to? They’d certainly been in and out of his office, as well as accidently running into him all around town. Had he inadvertently missed what this group of ladies knew? And worse yet, had he given himself away?”
    Kirsten Fullmer, Problems at the Pub

  • #5
    Karl Braungart
    “The CID official said to the Russians, “I didn’t know contractors worked on weekends. Why are you two here today?”
    Karl Braungart, Counter Identity

  • #6
    Michael G. Kramer
    “Cung said, “I have researched Vietnamese People fleeing to the land of the Uc da Loi! On the 26th of April 1976, the first boat carrying Vietnamese refugees arrived in Darwin. (Uc da Loi means Big Red Rat. The Vietnamese People named Australians as such because of the red kangaroo painted on the sides of Australian military vehicles. They did not know what a kangaroo was and so, they thought it was a rat. Hence the name of Uc da Loi.)

    (A Gracious Enemy & After the War Volume Two)”
    Michael G. Kramer

  • #7
    Kyle Keyes
    “Boson forces don't exist in Quantum space. The Light of the World is only found this side of the Timewall.”
    Kyle Keyes, Matching Configurations

  • #8
    “We proceeded to make way across the mighty Hooghly River, a monstrous offshoot of the Ganges, where we contemplated for a moment, our thoughts seemingly caught in the roaring southward current; there we gazed, toward where the city transitions into mangrove jungle, and somewhere a bit further to the southwest where all the rivers split infinitely like capillaries, where those famous Bengal tigers trod among the sunderbans. Peering in that direction, Bajju gripped the vertical bars just above the horizontal pedestrian railing, breathing slowly and silently, knees locked, still, despite being on arguably the busiest and loudest bridge in the world.”
    Colin Phelan, The Local School

  • #9
    Gabriel F.W. Koch
    “Her growing possessiveness felt both good and bad.”
    Gabriel F.W. Koch, Death Leaves a Shadow

  • #10
    Alan Weisman
    “plastic-wrapped evermore?”
    Alan Weisman, The World Without Us

  • #11
    P.D. Eastman
    “You are not my mother. You are a scary Snort!”
    P.D. Eastman & Roy McKee, Are You My Mother?

  • #12
    Victor Hugo
    “You can give without loving, but you can never love without giving. The great acts of love are done by those who are habitually performing small acts of kindness. We pardon to the extent that we love. Love is knowing that even when you are alone, you will never be lonely again. & great happiness of life is the conviction that we are loved. Loved for ourselves. & even loved in spite of ourselves.”
    Victor Hugo, Les Misérables

  • #13
    Justin Cronin
    “In silence he lifted her into his arms, cradling her like a child, and Lacey thought that it was God Himself, come to take her to His home in heaven. His eyes were hooded in shadow; his hair was a dark corona, wild and beautiful, like his beard, a dense mass of gray upon his face. He carried her through the smoking ruins, and she saw that he was weeping. Those are God's own tears, Lacey thought, yearning to reach out and touch them. It had never occurred to her that God would cry, but of course that was wrong. God would be crying all the time. He would cry and cry and never stop.”
    Justin Cronin, The Passage

  • #14
    Jostein Gaarder
    “He could very likely have appealed for leniency. At least he could have saved his life by agreeing to leave Athens. But had he done this he would not have been Socrates. He valued his conscience--and the truth-- higher than life.”
    Jostein Gaarder, Sophie’s World

  • #15
    Mary Norton
    “As people, other people, living in a house who . . . borrow things?"
    Mrs. May laid down her work. "What do you think?" she asked.
    "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be."
    "Why do you think there must be?" asked Mrs. May.
    "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house."
    "Not lying about the house, no," agreed Mrs. May.
    "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-”
    Mary Norton, The Borrowers



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