Ivan Lauer > Ivan's Quotes

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  • #1
    Dr. Seuss
    “You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You're on your own. And you know what you know. And YOU are the one who'll decide where to go...”
    Dr. Seuss, Oh, the Places You’ll Go!

  • #2
    George Carlin
    “People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.'

    If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen.

    They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.'

    So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.”
    George Carlin, Brain Droppings

  • #3
    Eoin Colfer
    “Oh, I'm crazy all right. I do have plenty of psychoses. Multiple personality, delusional dementia, OCD. I've got them all, but most of all, I'm crazy about you.”
    Eoin Colfer, The Atlantis Complex

  • #4
    “Fear and anxiety affect decision making in the direction of more caution and risk aversion... Traumatized individuals pay more attention to cues of threat than other experiences, and they interpret ambiguous stimuli and situations as threatening (Eyesenck, 1992), leading to more fear-driven decisions. In people with a dissociative disorder, certain parts are compelled to focus on the perception of danger. Living in trauma-time, these dissociative parts immediately perceive the present as being "just like" the past and "emergency" emotions such as fear, rage, or terror are immediately evoked, which compel impulsive decisions to engage in defensive behaviors (freeze, flight, fight, or collapse). When parts of you are triggered, more rational and grounded parts may be overwhelmed and unable to make effective decisions.”
    Suzette Boon, Coping with Trauma-Related Dissociation: Skills Training for Patients and Therapists

  • #5
    “At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career.
    During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer.
    I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole.
    p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).”
    Suzie Burke, Wholeness: My Healing Journey from Ritual Abuse

  • #6
    Eoin Colfer
    “Not me," said Orion cheerily. "I'm just a teenager with hormones running wild. And may I say ,young fairy lady, they're running wild in your direction."
    Holly lifted her visor and looked the hormonal teenager in the eye. "This had better not be a game, Artemis. If you do not have some serious psychosis, you will be sorry."
    "Oh, I'm crazy, alright. I do have plenty of psychoses," said Orion Cheerily. "Multiple personality, delusional dementia, OCD. I've got them all, but most of all, I'm crazy about you.”
    Eoin Colfer

  • #7
    Lauren Oliver
    “She liked the word ineffable because it meant a feeling so big or vast that it could not be expressed in words.

    And yet, because it could not be expressed in words, people had invented a word to express it, and that made Liesl feel hopeful, somehow.”
    Lauren Oliver, Liesl & Po

  • #8
    Judith Lewis Herman
    “The ORDINARY RESPONSE TO ATROCITIES is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable.

    Atrocities, however, refuse to be buried. Equally as powerful as the desire to deny atrocities is the conviction that denial does not work. Folk wisdom is filled with ghosts who refuse to rest in their graves until their stories are told. Murder will out. Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims.

    The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma. People who have survived atrocities often tell their stories in a highly emotional, contradictory, and fragmented manner that undermines their credibility and thereby serves the twin imperatives of truth-telling and secrecy. When the truth is finally recognized, survivors can begin their recovery. But far too often secrecy prevails, and the story of the traumatic event surfaces not as a verbal narrative but as a symptom.

    The psychological distress symptoms of traumatized people simultaneously call attention to the existence of an unspeakable secret and deflect attention from it. This is most apparent in the way traumatized people alternate between feeling numb and reliving the event. The dialectic of trauma gives rise to complicated, sometimes uncanny alterations of consciousness, which George Orwell, one of the committed truth-tellers of our century, called "doublethink," and which mental health professionals, searching for calm, precise language, call "dissociation." It results in protean, dramatic, and often bizarre symptoms of hysteria which Freud recognized a century ago as disguised communications about sexual abuse in childhood. . . .”
    Judith Lewis Herman, Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror

  • #9
    Derrick Jensen
    “What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?”
    Derrick Jensen, A Language Older Than Words

  • #10
    Gary Chapman
    “Real love" - "This kind of love is emotional in nature but not obsessional. It is a love that unites reason and emotion. It involves an act of the will and requires discipline, and it recognizes the need for personal growth.”
    Gary Chapman, The Five Love Languages: How to Express Heartfelt Commitment to Your Mate

  • #11
    Gary Chapman
    “People tend to criticize their spouse most loudly in the area where they themselves have the deepest emotional need.”
    Gary Chapman, The Five Love Languages: How to Express Heartfelt Commitment to Your Mate

  • #12
    Susan         Hill
    “Fast reading of a great novel will get us the plot. It will get us names, a shadowy idea of characters, a sketch of settings. It will not get us subtleties, small differentiations, depth of emotion and observation, multilayered human experience, the appreciation of simile and metaphor, any sense of context, any comparison with other novels, other writers. Fast reading will not get us cadence and complexities of style and language. It will not get us anything that enters not just the conscious mind but the unconscious. It will not allow the book to burrow down into our memory and become part of ourselves, the accumulation of knowledge and wisdom and vicarious experience which helps to form us as complete human beings. It will not develop our awareness or add to the sum of our knowledge and intelligence. Read parts of a newspaper quickly or an encyclopaedia entry, or a fast-food thriller, but do not insult yourself or a book which has been created with its author's painstakingly acquired skill and effort, by seeing how fast you can dispose of it.”
    Susan Hill, Howards End Is on the Landing: A Year of Reading from Home

  • #13
    Grant Morrison
    “Ah, I feel a sadness on me, Dane. That's how the Irish people say it. In their language, you can't say, "I am sad," or "I am happy". They understood what we English have long forgot. We're not our sadness. We're not our happiness or our pain but our language hypnotizes us and traps us in little labelled boxes.”
    Grant Morrison, The Invisibles, Volume 1: Say You Want a Revolution

  • #14
    Andrii Sedniev
    “In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story.

    Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen.

    You can remember stories. Everything else is quickly forgotten.

    Smell is the most powerful sense out of 4 to immerse audience members into a scene.

    Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point.

    If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience.

    Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are.

    You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself.

    People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited?

    Never hide behind a lectern or a table. Your audience needs to see 100% of your body.

    Speak slowly and people will consider you to be a thoughtful and clever person.

    Leaders don’t talk much, but each word holds a lot of meaning and value.

    You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again.

    Cover the entire room with eye contact.

    When you scan the audience and pick people for eye contact, pick positive people more often.

    When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said.

    Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in.

    After you make an important point and stand still. During this pause, people think about your words and your message sinks in.

    Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence.

    Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.”

    The best speeches are not written, they are rewritten.

    Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes.

    Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept.

    Good speakers and experts can always explain the most complex ideas with very simple words.

    Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic.

    If you're considering whether to use statistics or a story, use a story.

    PowerPoint is for pictures not for words. Use as few words on the slide as possible.

    Never learn your speech word for word. Just rehearse it enough times to internalize the flow.

    If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit.

    Meaningless words and clichés neither convey value nor information. Avoid them.

    Never apologize on stage.

    If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.”
    Andrii Sedniev, Magic of Public Speaking: A Complete System to Become a World Class Speaker

  • #15
    Anthony Marra
    “She wanted to hold foreign syllables like mints on her tongue until they dissolved into fluency.”
    Anthony Marra, A Constellation of Vital Phenomena

  • #16
    Henry Miller
    “Her fluency was marvelous. She would say things at random, intricate, flamelike, or slide off into a parenthetical limbo peppered with fireworks-- admirable linguistic feats which a practiced writer might struggle for hours to achieve.”
    Henry Miller, Sexus

  • #17
    Stanley Fish
    “Verbal fluency is the product of hours spent writing about nothing, just as musical fluency is hte product of hours spent repeating scales.” p. 26”
    Stanley Fish, How to Write a Sentence: And How to Read One

  • #18
    Jodi Picoult
    “The brain of a person in love will show activity in the amygdala, which is associated with gut feelings, and in the nucleus accumbens, an area associated with rewarding stimuli that tends to be active in drug abusers. Or, to recap: the brain of a person in love doesn't look like the brain of someone overcome by deep emotion. It looks like the brain of a person who's been snorting coke.”
    Jodi Picoult, House Rules

  • #19
    Jonah Lehrer
    “How do we regulate our emotions? The answer is surprisingly simple: by thinking about them. The prefrontal cortex allows each of us to contemplate his or her own mind, a talent psychologists call metacognition. We know when we are angry; every emotional state comes with self-awareness attached, so that an individual can try to figure out why he's feeling what he's feeling. If the particular feeling makes no sense—if the amygdala is simply responding to a loss frame, for example—then it can be discounted. The prefrontal cortex can deliberately choose to ignore the emotional brain.”
    Jonah Lehrer, How We Decide

  • #20
    Leigh Bardugo
    “Fear is a phoenix. You can watch it burn a thousand times and still it will return.”
    Leigh Bardugo, Crooked Kingdom

  • #21
    William Walker Atkinson
    “Some Mistakes Some People Make. If you waste your time reading sensational stories or worthless newspaper items, you excite the impulsive and the emotional faculties, and this means you are weakening your power of concentration. You will not be a free engineer, able to pilot yourself to success.”
    Theron Q. Dumont, The Power Of Concentration

  • #22
    Chuck Palahniuk
    “You can tell people the truth, but they'll never believe you until the event. In the meantime, the truth will just piss them off and get you in a lot of trouble.”
    Chuck Palahniuk, Survivor

  • #23
    Matt Haig
    “It is strange how close the past is, even when you imagine it to be so far away. Strange how it can just jump out of a sentence and hit you. Strange how every object or word can house a ghost.”
    Matt Haig, How to Stop Time

  • #24
    Alexandra Bracken
    “We'll just have to try to make better mistakes tomorrow.”
    Alexandra Bracken, The Darkest Minds

  • #25
    Jeff Sutherland
    “No Heroics. If you need a hero to get things done, you have a problem. Heroic effort should be viewed as a failure of planning.”
    Jeff Sutherland, Scrum: The Art of Doing Twice the Work in Half the Time

  • #26
    “Over-seriousness is a warning sign for mediocrity and bureaucratic thinking. People who are seriously committed to mastery and high performance are secure enough to lighten up. —Michael J. Gelb”
    Lyssa Adkins, Coaching Agile Teams: A Companion for ScrumMasters, Agile Coaches, and Project Managers in Transition

  • #27
    Lao Tzu
    “Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.”
    Lao Tzu

  • #28
    Lao Tzu
    “A good traveler has no fixed plans and is not intent on arriving.”
    Lao Tzu

  • #29
    Lao Tzu
    “Those who know do not speak. Those who speak do not know.”
    Lao Tsu, Tao Teh Ching

  • #31
    Lao Tzu
    “When you are content to be simply yourself and don't compare or compete, everyone will respect you.”
    Lao Tzu, Tao Te Ching



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