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Si Amapola sa 65 ...
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Roland Barthes
“13084
Tonight I came back to the hotel alone; the other has decided to return later on. The anxieties are already here, like the poison already prepared (jealousy, abandonment, restlessness); they merely wait for a little time to pass in order to be able to declare themselves with some propriety. I pick up a book and take a sleeping pill, "calmly." The silence of this huge hotel is echoing, indifferent, idiotic (faint murmur of draining bathtubs); the furniture and the lamps are stupid; nothing friendly that might warm ("I'm cold, let's go back to Paris). Anxiety mounts; I observe its progress, like Socrates chatting (as I am reading) and feeling the cold of the hemlock rising in his body; I hear it identify itself moving up, like an inexorable figure, against the background of the things that are here.”
Roland Barthes, A Lover's Discourse: Fragments

Raymond Carver
“I've crossed some kind of invisible line. I feel as if I've come to a place I never thought I'd have to come to. And I don't know how I got here. It's a strange place. It's a place where a little harmless dreaming and then some sleepy, early-morning talk has led me into considerations of death and annihilation.”
Raymond Carver, Where I'm Calling From: New and Selected Stories

Ray Bradbury
“I went to bed and woke in the middle of the night thinking I heard someone cry, thinking I myself was weeping, and I felt my face and it was dry.

Then I looked at the window and thought: Why, yes, it's just the rain, the rain, always the rain, and turned over, sadder still, and fumbled about for my dripping sleep and tried to slip it back on.”
Ray Bradbury, Green Shadows, White Whale

Sharon Kay Penman
“…she remembered watching a summer sunset from this very spot. Not so long ago; just a lifetime.”
Sharon Kay Penman, When Christ and His Saints Slept

Oscar Wilde
“Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

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