Kartik
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The Odyssey
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Cat Sebastian
“His hair, which had been wheat blond during childhood, was now the dark ash blond of driftwood, and his eyes were the dangerous gray of the North Sea but sometimes, rarely, flecked with the shifting blues of sea glass. It seemed so strange that Will had only learned these things after traveling thousands of miles away from Martin, but now he couldn’t look at his friend without thinking of the ocean. It was as if his mind had taken the source of all his nightmares and mapped it onto the face of the person he loved best, as if to remind him that maybe the sea wasn’t all bad.”
Cat Sebastian, Two Rogues Make a Right

Susan Abulhawa
“I read that blue whales are the largest creatures ever to roam our planet, as long as thirty meters and weighing up to 173,000 kilograms. They have intricate social lives and complex languages. Hunted to near extinction. Less than a few thousand remained before whaling restrictions were introduced, but whalers continue to serve a black market, and these majestic creatures might disappear from the world. I often wondered what it's like to be a whale. To be the biggest creature on earth, still vulnerable to a small man’s greed.”
Susan Abulhawa

“Perhaps the cultural obsession with ‘natural’ birth reflects the extent of our detachment from our bodies and from the Earth. We are so disconnected from the rest of the natural world that we don’t know what ‘nature’ is: bodies failing, cuckoos pushing eggs out of nests, a weirdly small human pelvis and a big infant head, illness and disease, shit and blood, ticks and cockroaches. ‘Natural childbirth’ in the ‘natural world’ often ends in infant or maternal death. ‘Natural’ childbirth can end in clitoral tears, sepsis, rectoceles, fistulas and psychosis.”
Lucy Jones, Matrescence: On the Metamorphosis of Pregnancy, Childbirth, and Motherhood

Susan Abulhawa
“Abandoning the imposition of a calendar helped me understand that time isn’t real; it has no logic in the absence of hope or anticipation. The Cube is thus devoid of time. It contains, instead, a yawning stretch of something unnamed, without present, future, or past, which I fill with imagined or remembered life.”
Susan Abulhawa, Against the Loveless World

Coco Mellors
“Besides, as a model, Lucky was used to people taking pleasure in proving she was an idiot. It was a kind of protection against inadequacy, she assumed; if she was pretty but dumb, they could still feel superior, even a little righteous, finding, in their own lack of marketable beauty, a confirmation of their higher intelligence. But if the two weren’t causal? If it was possible to be both professionally attractive and smart? Then their own average looks served no purpose other than to disappoint, with Lucky acting as the hapless reminder. She’d found, in general, it was easier to keep her mouth shut and let people think whatever comforting thoughts they wanted about her. People seemed to hate her less that way.”
Coco Mellors, Blue Sisters

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