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C.S. Lewis
“When you and I met, the meeting was over very shortly, it was nothing. Now it is growing something as we remember it, what will it be when I remember it as I lie down to die, what it makes in me all my days till then - that is the real meeting. The other is only the beginning of it. You say you have poets in your world. Do they not teach you this?”
C.S. Lewis, Out of the Silent Planet

John Calvin
“The whole world is a theatre for the display of the divine goodness, wisdom, justice, and power, but the Church is the orchestra, as it were—the most conspicuous part of it; and the nearer the approaches are that God makes to us, the more intimate and condescending the communication of his benefits, the more attentively are we called to consider them.”
John Calvin, Commentary on Psalms - Volume 5

J.R.R. Tolkien
“Even when a prohibition in a fairy-story is guessed to be derived from some taboo once practised long ago, it has probably been preserved in the later stages of the tale's history because of the great mythical significance of prohibition. A sense of significance may indeed have lain behind some of the taboos themselves. Thou shalt not - or else thou shalt depart beggared into endless regret. The gentlest 'nursery-tales' know it. Even Peter Rabbit was forbidden a garden, lost his blue coat, and took sick. The Locked Door stands as an eternal Temptation.”
J.R.R. Tolkien, The Monsters and the Critics and Other Essays

C.S. Lewis
“At all ages, if [fantasy and myth] is used well by the author and meets the right reader, it has the same power: to generalize while remaining concrete, to present in palpable form not concepts or even experiences but whole classes of experience, and to throw off irrelevancies. Bat at its best it can do more; it can give us experiences we have never had and thus, instead of 'commenting on life,' can add to it.”
C.S. Lewis

George Eliot
“We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?”
George Eliot, The Mill on the Floss

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