Jimmy Cline

“I cannot leave this subject as though its just treatment wholly depended either on our own pledges or economic facts. The policy of reducing Germany to servitude for a generation, of degrading the lives of millions of human beings, and of depriving a whole nation of happiness should be abhorrent and detestable, - abhorrent and detestable, even if it were possible, even if it enriched ourselves, even if it did not sow the decay of the whole civilized life of Europe. Some preach it in the name of Justice. In the great events of man's history, in the unwinding of the complex fates of nations Justice is not so simple. And if it were, nations are not authorized, by religion or by natural morals, to visit on the children of their enemies the misdoings of parents of rulers.”
― John Maynard Keynes, The Economic Consequences of the Peace

“But are there philosophical problems? The present position of English philosophy - my point of departure - originates, I believe, in the late Professor Ludwig Wittgenstein's doctrine that there are none; that all genuine problems are scientific problems; that the alleged propositions or theories of philosophy are pseudo-propositions or pseudo-theories; that they are not false (if they were false, their negations would be true propositions or theories) but strictly meaningless combinations of words, no more meaningful than the incoherent babbling of a child who has not yet learned to speak properly.”
― Karl R. Popper, Conjectures and Refutations: The Growth of Scientific Knowledge

“The entire ball game, in terms of both the exam and life, was what you gave attention to vs. what you willed yourself to not.”
― David Foster Wallace, The Pale King

“When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.

He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.”
― William Gaddis, The Recognitions