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The Long Winter
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The Corner That H...
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"at first was listening in bits and chunks and didnt quiiiite connect, then hoopla app glitched and restarted and i just went with it and its wayyy better. love novels from the 40s-60s so much" Jan 09, 2025 05:16PM

 
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Sally Rooney
“Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.”
Sally Rooney, Normal People

Han Kang
“She was no longer able to cope with all that her sister reminded her of. She'd been unable to forgive her for soaring alone over a boundary she herself could never bring herself to cross, unable to forgive that magnificent irresponsibility that had enabled Yeong-hye to shuck off social constraints and leave her behind, still a prisoner. And before Yeong-hye had broken those bars, she'd never even known they were there.”
Han Kang, The Vegetarian

Han Kang
“The feeling that she had never really lived in this world caught her by surprise. It was a fact. She had never lived. Even as a child, as far back as she could remember, she had done nothing but endure. She had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. Her devotion to doing things the right way had been unflagging, all her successes had depended on it, and she would have gone on like that indefinitely. She didn't understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.”
Han Kang, The Vegetarian

Dorothy L. Sayers
“She had her image… and anything added to that would be mere verse-making. Something might come of it some day. In the meanwhile she had got her mood on to paper—and this is the release that all writers, even the feeblest, seek for as men seek for love; and, having found it, they doze off happily into dreams and trouble their hearts no further.”
Dorothy L. Sayers, Gaudy Night

Sally Rooney
“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
Sally Rooney, Normal People

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