Marina

“No one knows any longer whether the reintroduction of the bear in Pyrenees, kolkhozes, aerosols, the Green Revolution, the anti-smallpox vaccine, Star Wars, the Muslim religion, partridge hunting, the French Revolution, service industries, labour unions, cold fusion, Bolshevism, relativity, Slovak nationalism, commercial sailboats, and so on, are outmoded, up to date, futuristic, atemporal, nonexistent, or permanent.”
― Bruno Latour, We Have Never Been Modern

“Humanity lives in its fiction.”
― Blaise Cendrars

“It was if, in the process of its long and arduous journey from Afghanistan's mines to Europe's canvases, and its painful evolution from barren beginnings, ultramarine had collected and purified all the wisdom of the different worlds it traversed, retaining only what was common to then, and what was most important. This pure, clean color evokes undulating infinity, that delicate moment between day and night, an image of man constantly drifting between existence and non-existence.”
― Mileta Prodanović, Ultramarin: roman bez slika

“Urbanization, we may conclude, has played a crucial role in the absorption of capital surpluses, at ever increasing geographical scales, but at the price of burgeoning processes of creative destruction that have dispossessed the masses of any right to the city whatsoever. The planet as building site collides with the ‘planet of slums’. [16] Periodically this ends in revolt, as in Paris in 1871 or the US after the assassination of Martin Luther King in 1968. If, as seems likely, fiscal difficulties mount and the hitherto successful neoliberal, postmodernist and consumerist phase of capitalist surplus-absorption through urbanization is at an end and a broader crisis ensues, then the question arises: where is our 68 or, even more dramatically, our version of the Commune?”
― Rebel Cities- David Harvey