Elizabeth

“The pair’s status as paradigmatic riot grrrls was only increasing, especially as their extremist rhetoric polarized longtime allies and drove many away. Politics was personal; their revolution had become about a purification of one’s individual life, habits, language, relationships. This is the revolutionary program of a moment that has lost the ability to envision large-scale change, or that sees institutions as so flawed at their core that they can never be vehicles of transformation.”
― Sara Marcus, Girls to the Front: The True Story of the Riot Grrrl Revolution

“You see it is important to understand how damaged people don’t always know how to say yes, or to choose the big thing, even when it is right in front of them. It’s a shame we carry. The shame of wanting something good. The shame of feeling something good. The shame of not believing we deserve to stand in the same room in the same way as all those we admire. Big red As on our chests. I never thought to myself growing up, be a lawyer. An astronaut. The President. A scientist. A doctor. An architect. I didn’t even think, be a writer. Aspiration gets stuck in some people. It’s difficult to think yes. Or up. When all you feel is fight or run.”
― Lidia Yuknavitch, The Chronology of Water

“However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It’s what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can’t remember. Their memories remain the closest replica of actual events. Underwater. Forever.”
― Lidia Yuknavitch, The Chronology of Water

“With Hélène Cixous you must close your eyes and open your mouth. Wider. So open your throat opens. Your esophagus. Your lungs. Wider. So open your spine unclatters. Your hips swim loose. Your womb worlds itself. Wider. Open the well of your sex. Now speak your body from your other mouth. Yell corporeal prayer. This is writing.”
― Lidia Yuknavitch, The Chronology of Water