Ariel

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Good Girl, Bad Blood
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Sentimento do Mundo
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Reading for the 2nd time
read in January 2016
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Noites Brancas
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bookshelves: currently-reading, classics
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Caio Fernando Abreu
“Eu conheci razoavelmente bem Clarice Lispector. Ela era infelicíssima, Zézim. A primeira vez que conversamos eu chorei depois a noite inteira, porque ela inteirinha me doía, porque parecia se doer também, de tanta compreensão sangrada de tudo. Te falo nela porque Clarice, pra mim, é o que mais conheço de GRANDIOSO, literariamente falando. E morreu sozinha, sacaneada, desamada, incompreendida, com fama de 'meio doida'."

"Escrever é enfiar um dedo na garganta. Depois, claro, você peneira essa gosma, amolda-a, transforma. Pode sair até uma flor. Mas o momento decisivo é o dedo na garganta."

"Claro que ele [Nirlando Beirão] fala de uma geração inteira, mas daí saquei, meu Deus, como sou típico, como sou um esteriótipo da minha geração."

em carta à José Márcio Penido, em 1979.”
Caio Fernando Abreu, Cartas

Henry James
“The Beast had lurked indeed, and the Beast, at its hour, had sprung.”
Henry James

Henry James
“On her limbs was the stiffness of death, and on her face, in the fading light of the sun, the terror of something more than death.”
Henry James, The Romance of Certain Old Clothes

Henry James
“There were several ways of understanding her: there was what she said, and there was what she meant, and there was something between the two, that was neither.”
Henry James, The Europeans

Henry James
“Her imagination was by habit ridiculously active; when the door was not open it jumped out the window.”
Henry James, The Portrait of a Lady

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Mariana
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