Otto Pacitto

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Catherine Marshall
“I could also see just by looking around me how we tend to over-romanticize history. Life in those other centuries had not been all knights-and-ladies stuff. There was nothing romantic about cottages where eight or ten people slept in one room with no privacy; where there were no bathrooms, not even outside privies—even if the cottage did happen to have picturesque thatch on the roof. There was nothing glamorous in any century about no running water in which to bathe or about fleas on human beings; or about the blackgum twigs with which some of the women right now, in 1912, dipped snuff and then rubbed their teeth and gums. So many of the people had terrible-looking teeth or no teeth at all. And the eye trouble that was so prevalent. I had learned that it was trachoma and that it was a dangerous infection which, if unchecked, resulted in blindness.”
Catherine Marshall, Christy: A Historical Novel of Faith, Love, and Courage in the Smoky Mountains

Behcet Kaya
“Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.”
Behcet Kaya, Body In The Woods

Frederick Douglass
“What he most dreaded, that I most desired. What he most loved, that I most hated. That which to him was a great evil, to be carefully shunned, was to me a great good, to be diligently sought; and the argument which he so warmly urged, against my learning to read, only served to inspire me with a desire and determination to learn.”
Frederick Douglass, Narrative of the Life of Frederick Douglass

Marie Montine
“Do you see the river of truth, Lharkin? Do you understand that two are one?”
Marie Montine, Mourning Grey: Part Two

“When you dance with the Africans, unless it is a ritual dance like a wedding or harvest or rain dance, there’s no right or wrong way to dance. There’s only movement. And the more you express your feelings as you move, the better you feel when you’re done…When I dance the African Way, I show my feelings with my body instead of hiding them in my heart. When I dance, I know I’m alive here and now. My body and soul are in harmony.”
Maria Nhambu, Africa's Child

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