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Blinding
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The Artist's Way:...
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— Aug 05, 2025 10:53AM

 
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Sayaka Murata
“My town is a factory for the production of human babies. People live in nests packed closely together. It's just like the silkworm room in Granny's house. The nests are lined up neatly in rows, and each contains a breeding pair of male and female humans and their babies. The breeding pairs raise their young inside their nests.
The Baby Factory produces humans connected by flesh and blood. Eventually we children will also leave the factory and be shipped out.
Once shipped out, male and female humans are trained how to take food back to their own nests. They become society's tools, receive money from other humans, and purchase food. Eventually these young humans also form breeding pairs, coop themselves up in new nests, and manufacture more babies.”
― Sayaka Murata, Earthlings

George R.R. Martin
“Jaime’s golden hand cracked him across the mouth so hard the other knight went stumbling down the steps. His lantern fell and smashed, and the oil spread out, burning. “You are speaking of a highborn lady, ser. Call her by her name. Call her Brienne.”
― George R.R. Martin, A Feast for Crows

Sally Rooney
“Her eyes fill up with tears again and she closes them. Even in memory she will find this moment unbearably intense, and she's aware of this now, while it's happening. She has never believed herself fit to be loved by any person. But now she has a new life, of which this is the first moment, and even after many years have passed she will still think: Yes, that was it, the beginning of my life.”
― Sally Rooney, Normal People

Anne de Marcken
“I think, if I am in the place where we were together, then we are together again.”
― Anne de Marcken, It Lasts Forever and Then It's Over

Svetlana Alexievich
“There’s a note on the door: “Dear kind person, Please don’t look for valuables here. We never had any. Use whatever you want, but don’t trash the place. We’ll be back.” I saw signs on other houses in different colors—“Dear house, forgive us!” People said goodbye to their homes like they were people. Or they’d written: “we’re leaving in the morning,” or, “we’re leaving at night,” and they’d put the date and even the time. There were notes written on school notebook paper: “Don’t beat the cat. Otherwise the rats will eat everything.” And then in a child’s handwriting: “Don’t kill our Zhulka. She’s a good cat.” [Closes his eyes.]”
― Svetlana Alexievich, Voices from Chernobyl: The Oral History of a Nuclear Disaster

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