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“We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be 'interesting' to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest's clothing just visible in the window behind her, the one smiling at the telephoto lens. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely... by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria — which is our actual experience.”
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“I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself. Why refer to lady crack pipe or good sir dishrag when these things could never live up to all that their sex implied?”
― Me Talk Pretty One Day
― Me Talk Pretty One Day
“Cherish your visions.
Cherish your ideals.
Cherish the music that stirs in your heart, the beauty that forms in your mind, the loveliness that drapes your purest thoughts.
For out of them will grow all delightful conditions, all heavenly environment, of these, if you but remain true to them, your world will at last be built.”
― As a Man Thinketh
Cherish your ideals.
Cherish the music that stirs in your heart, the beauty that forms in your mind, the loveliness that drapes your purest thoughts.
For out of them will grow all delightful conditions, all heavenly environment, of these, if you but remain true to them, your world will at last be built.”
― As a Man Thinketh
“One realizes that even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another – secret and passionate and intense – which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him. One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day . . .”
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Tamra’s 2025 Year in Books
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