Sean Kirkpatrick

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The Giver
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by Lois Lowry (Goodreads Author)
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The Neapolitan No...
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Tim Ingold
“Is it not truly extraordinary to realise that ever since men have walked, no-one has ever asked why they walk, how they walk, whether they walk, whether they might walk better, what they achieve by walking, whether they might not have the means to regulate, change or analyse their walk: questions that bear on all the systems of philosophy, psychology and politics with which the world is preoccupied? Honoré de Balzac (1938 [1833]:”
Tim Ingold, Being Alive: Essays on Movement, Knowledge and Description

David     Zweig
“As I researched an article for The Atlantic that served as a launch point for this book, speaking to many people, characteristics of Invisibles began to crystallize. Fascinatingly, I found they all consistently embody Three Traits: 1) Ambivalence toward recognition 2) Meticulousness 3) Savoring of responsibility”
David Zweig, Invisibles: The Power of Anonymous Work in an Age of Relentless Self-Promotion

“Perhaps if we were consciously able to use our bodies as fluently and expressively as we use language, we would find the physical reaction to each successful picture to be as particular and unique as our verbal formulations.”
Frank Gohlke, Thoughts on Landscape: Collected Writings and Interviews

“I think that it is daily life which is the great event, the true “reality”.… My greatest ambition is to do something new and striking using the banal and commonplace to show an aspect of daily life as if one were seeing it for the first time.”
Frank Gohlke, Thoughts on Landscape: Collected Writings and Interviews

Tim Ingold
“Bathed in light, submerged in sound and rapt in feeling, the sentient body, at once both perceiver and producer, traces the paths of the world’s becoming in the very course of contributing to its ongoing renewal. Here, surely, lies the essence of what it means to dwell. It is, literally to be embarked upon a movement along a way of life. The perceiver-producer is thus a wayfarer, and the mode of production is itself a trail blazed or a path followed. Along such paths, lives are lived, skills developed, observations made and understandings grown. But if this is so, then we can no longer suppose that dwelling is emplaced in quite the way Heidegger imagined, in an opening akin to a clearing in the forest. To be, I would now say, is not to be in place but to be along paths. The path, and not the place, is the primary condition of being, or rather of becoming.”
Tim Ingold, Being Alive: Essays on Movement, Knowledge and Description

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