Sean Kirkpatrick

“Christine Gray wrote in her remarkable 1986 PhD dissertation, Thailand: The Soteriological State in the 1970s:   Any study of contemporary Thai society must account for the U.S. influence on that polity and the mutual denial of that influence. Thailand’s relationship with the United States is complex, heavily disguised and, in many instances, actively denied by the leaders of both countries...    In many cases, it is difficult if not impossible to determine the extent of American influence in Thailand. Thailand is a nation of secrets: of secret bombings and air bases during the Vietnam War, of secret military pacts and aid agreements, of secret business transactions and secret ownership of businesses and joint venture corporations. This is precisely the point; the American presence has taken on powerful cosmological, religious and even mythic overtones. The American influence on the Thai economy and polity has become a symbol of uncertainty, of men's inability to know the truth.”
― Andrew MacGregor Marshall, #thaistory

“Bathed in light, submerged in sound and rapt in feeling, the sentient body, at once both perceiver and producer, traces the paths of the world’s becoming in the very course of contributing to its ongoing renewal. Here, surely, lies the essence of what it means to dwell. It is, literally to be embarked upon a movement along a way of life. The perceiver-producer is thus a wayfarer, and the mode of production is itself a trail blazed or a path followed. Along such paths, lives are lived, skills developed, observations made and understandings grown. But if this is so, then we can no longer suppose that dwelling is emplaced in quite the way Heidegger imagined, in an opening akin to a clearing in the forest. To be, I would now say, is not to be in place but to be along paths. The path, and not the place, is the primary condition of being, or rather of becoming.”
― Tim Ingold, Being Alive: Essays on Movement, Knowledge and Description

“In a hundred and fifty years no one alive will ever have known me. Being forgotten like that, entering that great and ongoing blank, seems more like death than death. ♦”
― Sarah Manguso, Ongoingness: The End of a Diary

“As I researched an article for The Atlantic that served as a launch point for this book, speaking to many people, characteristics of Invisibles began to crystallize. Fascinatingly, I found they all consistently embody Three Traits: 1) Ambivalence toward recognition 2) Meticulousness 3) Savoring of responsibility”
― David Zweig, Invisibles: The Power of Anonymous Work in an Age of Relentless Self-Promotion