Selena

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M.L. Stedman
“Scars are just another kind of memory.”
M.L. Stedman, The Light Between Oceans

“Gaining control isn't the exciting part. Sleeping with a minor isn't exciting because you get to boss them around. It's exciting because you're risking so much. And taking a risk is exciting because of the possibility that you might lose, not the possibility that you might win.”
Eleanor Catton, The Rehearsal

Betty  Smith
“Mother! Katie remembered. She had called her own mother "mama" until the day she had told her that she was going to marry Johnny. She had said, "Mother, I'm going to marry..." She had never said "mama" after that. She had finished growing up when she stopped calling her mother “mama.” Now Francie…”
Betty Smith

Betty  Smith
“And that’s where the whole trouble is,” thought Francie. “We’re too much alike to understand each other because we don’t even understand our own selves. Papa and I were two different persons and we understood each other. Mama understands Neeley because he’s different from her. I wish I was different in the way that Neeley is.”
“Then everything’s all right now between us?” Katie asked with a smile.
“Of course.” Francie smiled back and kissed her mother’s cheek.
But in their secret hearts each knew that it wasn’t all right and that it would never be all right between them again.”
Betty Smith

Rebecca Solnit
“How can I tell a story we already know too well? Her name was Africa. His was France. He colonized her, exploited her, silenced her, and even decades after it was supposed to have ended, still acted with a high hand in resolving her affairs in places like Côte d'Ivoire, a name she had been given because of her export products, not her own identity.
Her name was Asia. His was Europe. Her name was silence. His was power. Her name was poverty. His was wealth. Her name was Her, but what was hers? His name was His, and he presumed everything was his, including her, and he thought be could take her without asking and without consequences. It was a very old story, though its outcome had been changing a little in recent decades. And this time around the consequences are shaking a lot of foundations, all of which clearly needed shaking.
Who would ever write a fable as obvious, as heavy-handed as the story we've been given?
...
His name was privilege, but hers was possibility. His was the same old story, but hers was a new one about the possibility of changing a story that remains unfinished, that includes all of us, that matters so much, that we will watch but also make and tell in the weeks, months, years, decades to come.”
Rebecca Solnit, Men Explain Things to Me

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year in books
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