Selena

“And that’s where the whole trouble is,” thought Francie. “We’re too much alike to understand each other because we don’t even understand our own selves. Papa and I were two different persons and we understood each other. Mama understands Neeley because he’s different from her. I wish I was different in the way that Neeley is.”
“Then everything’s all right now between us?” Katie asked with a smile.
“Of course.” Francie smiled back and kissed her mother’s cheek.
But in their secret hearts each knew that it wasn’t all right and that it would never be all right between them again.”
― Betty Smith

“Mother! Katie remembered. She had called her own mother "mama" until the day she had told her that she was going to marry Johnny. She had said, "Mother, I'm going to marry..." She had never said "mama" after that. She had finished growing up when she stopped calling her mother “mama.” Now Francie…”
― Betty Smith

“I knew that some victims of powerful self-loathing turn out to be dangerous, violent, reproducing the enemy who has humiliated them over and over. Others surrender their identity; melt into a structure that delivers the strong persona they lack. Most others, however, grow beyond it. But there are some who collapse, silently, anonymously, with no voice to express or acknowledge it. They are invisible. The death of self-esteem can occur quickly, easily in children, before their ego has “legs,” so to speak. Couple the vulnerability of youth with indifferent parents, dismissive adults, and a world, which, in its language, laws, and images, re-enforces despair, and the journey to destruction is sealed.”
― Toni Morrison, The Bluest Eye

“I adore the way fan fiction writers engage with and critique source texts, by manipulating them and breaking their rules. Some of it is straight-up homage, but a lot of [fan fiction] is really aggressive towards the source text. One tends to think of it as written by total fanboys and fangirls as a kind of worshipful act, but a lot of times you’ll read these stories and it’ll be like ‘What if Star Trek had an openly gay character on the bridge?’ And of course the point is that they don’t, and they wouldn’t, because they don’t have the balls, or they are beholden to their advertisers, or whatever. There’s a powerful critique, almost punk-like anger, being expressed there—which I find fascinating and interesting and cool.”
― Lev Grossman