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Caviar: The Stran...
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The Blonde Identity
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by Ally Carter (Goodreads Author)
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Becoming Bulletpr...
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Meghan O'Gieblyn
“The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer,”
― Meghan O'Gieblyn, God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning

Kristin Hannah
“We laugh so we don't cry.”
― Kristin Hannah, The Women

Meghan O'Gieblyn
“I have a friend—she is the kind of friend that all of us have—who is a true believer in astrology and psychic phenomenon, a devotee of reiki, a collector of crystals, a woman who occasionally sends me emails with cryptic titles and a single line of text asking, for example, the time of day that I was born or whether I have any mental associations with moths. None that come immediately to mind, I write back. But then of course moths are suddenly everywhere: on watercolor prints in the windows of art shops, in Virginia Woolf’s diaries, on the pages of the illustrated children’s book I read to my nieces. This woman, whom I have known since I was very young, also experiences strange echoes and patterns, but for her they are not the result of confirmation bias or the brain’s inclination toward narrative. She believes that the patterns are part of the very fabric of reality, that they refer to universal archetypes that express themselves in our individual minds. Transcendent truths, she has told me many times, cannot be articulated intellectually because higher thought is limited by the confines of language. These larger messages from the universe speak through our intuitions, and we modern people have become so completely dominated by reason that we have lost this connection to instinct. She claims to receive many of these messages through images and dreams. In a few cases she has predicted major global events simply by heeding some inchoate sensation—an aching knee, the throbbing of an old wound, a general feeling of unease.

This woman is a poet, and I tend to grant her theories some measure of poetic license. It seems to me that beneath all the New Agey jargon, she is speaking of the power of the unconscious mind, a realm that is no doubt elusive enough to be considered a mystical force in its own right. I have felt its power most often in my writing, where I’ve learned that intuition can solve problems more efficiently than logical inference. This was especially true when I wrote fiction. I would often put an image in a story purely by instinct, not knowing why it was there, and then the image would turn out to be the perfect metaphor for some conflict that emerged between the characters—again, something that was not planned deliberately—as though my subconscious were making the connections a step or two ahead of my rational mind. But these experiences always took place within the context of language, and I couldn’t understand what it would mean to perceive knowledge outside that context. I’ve said to my friend many times that I believe in the connection between language and reason, that I don’t believe thought is possible without it. But like many faith systems, her beliefs are completely self-contained and defensible by their own logic. Once, when I made this point, she smiled and said, “Of course, you’re an Aquarius.”
― Meghan O'Gieblyn, God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning

Meghan O'Gieblyn
“The universal mind—whether it goes by God, Brahman, or some other name—is a common feature of idealism. Without it, it’s difficult to explain why there is a shared, objective world that all of us experience, making the theory indistinguishable from solipsism.”
― Meghan O'Gieblyn, God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning

Meghan O'Gieblyn
“To discover truth, it is necessary to work within the metaphors of our own time,”
― Meghan O'Gieblyn, God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning

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