Doug Bolden

“Every story needs to be told in just the right way.”
― Thomas Ligotti, Songs of a Dead Dreamer

“In the seventeenth century there occurred the spiritual possession by divers demons of the nuns belonging to the Ursuline convent at Aix-en-Provence. Excommunication was soon in coming for the blighted sisters, who had been seduced into assorted blasphemies by the likes of Grésil, Sonnillon, and Vérin. De Plancy’s Dictionnaire infernal respectively characterizes these demons, in the words of an unknown translator, as “the one who glistens horribly like a rainbow of insects; the one who quivers in a horrible manner; and the one who moves with a particular creeping motion.”
― Thomas Ligotti, Songs of a Dead Dreamer

“In supernatural horror stories, however, magical thinking is a completely different matter. Those characters contending with what seems to be the work of magic will deny till the very last moment that anything magical is going on. They will invoke reason and evidence and eek out corroborations for the cause of their problems. But readers of these stories are rarely, if ever, on the side of these characters. They desperately want to believe that there is indeed something magical going on and they are primed to accept it whenever it occurs. Some readers especially enjoy a story with bad magic, as it assures them that magic is confined to fiction and will not leak into their real lives. This is the most perverse form of magical thinking and the one least likely to be recognized as such.”
― Thomas Ligotti, The Nightmare Factory, Vol. 2

“As a token bit of mysticism, the mason had fixed an Eye of God way up on the steeple, above the clock - an oval shape carved into a block of stone that I'd noticed on the old country churches Farther dragged us round at weekends. Yet at Saint Jude's, it seemed more like a sharp-eyed overseer of the factory floor, looking out for the workshy and the seditious.”
― Andrew Michael Hurley, The Loney