Dimitar Pizhev
https://www.goodreads.com/cyberdarren
“Не обичам човека; обичам това, което го яде отвътре.”
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“... може би ще срещна някоя локва по пътечките ... а във всяка локва, колкото и малка да е, ще има небе ...”
― The Time of the Doves
― The Time of the Doves
“Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.”
― Mao II
― Mao II
“The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. For the perfect flâneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world - impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito. The lover of life makes the whole world his family, just like the lover of the fair sex who builds up his family from all the beautiful women that he has ever found, or that are or are not - to be found; or the lover of pictures who lives in a magical society of dreams painted on canvas. Thus the lover of universal life enters into the crowd as though it were an immense reservoir of electrical energy. Or we might liken him to a mirror as vast as the crowd itself; or to a kaleidoscope gifted with consciousness, responding to each one of its movements and reproducing the multiplicity of life and the flickering grace of all the elements of life.”
― The Painter of Modern Life and Other Essays
― The Painter of Modern Life and Other Essays
“To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. But one must remember that there is such a thing as good bad taste and bad bad taste. it's easy to disgust someone; I could make a ninety-minute film of people getting their limbs hacked off, but this would only be bad bad taste and not very stylish or original. To understand bad taste one must have very good taste. Good bad taste can be creatively nauseating but must, at the same time, appeal to the especially twisted sense of humor, which is anything but universal.”
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Аз чета
— 1962 members
— last activity May 31, 2019 07:35AM
Това е група за хората, за които да заявят "Аз чета" е повод за гордост. ...more
TEDx worldwide Book Club
— 138 members
— last activity Sep 03, 2012 04:45AM
This is a resource that features links to books by TEDx speakers all around the world, along with books recommended by TEDx organisers. The purpose o ...more
The Pulitzer Center for Crisis Reporting
— 36 members
— last activity Jul 31, 2013 07:49AM
The Pulitzer Center on Crisis Reporting is an innovative award-winning non-profit journalism organization dedicated to supporting the independent inte ...more
Dimitar’s 2025 Year in Books
Take a look at Dimitar’s Year in Books, including some fun facts about their reading.
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