Maureen Coyle

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The Perennial Phi...
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"I cannot get through one page without highlighting everything or marking something with my pen or starring my favorite verses. This book will take me 3 months to read at this rate!!!" Apr 11, 2016 05:10PM

 
The Isaiah Effect...
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Waking Up: A Guid...
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John Fante
“I went to the library. I looked at the magazines, at the pictures in them. One day I went to the bookshelves, and pulled out a book. It was Winesburg, Ohio.. I sat at a long mahogany table and began to read. All at once my world turned over. The sky fell in. The book held me. The tears came. My heart beat fast. I read until my eyes burned. I took the book home. I read another Anderson. I read and I read, and I was heartsick and lonely and in love with a book, many books, until it came naturally, and I sat there with a pencil and a long tablet, and tried to write, until I felt I could not go on because the words would not come as they did in Anderson, they only came like drops of blood from my heart.”
John Fante, Dreams from Bunker Hill

John Fante
“Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.”
John Fante

ميلان كونديرا
“فشعر عندها فجأة برغبة غامضة لا تقاوم في سماع موسيقى هائلة، في سماع ضجيج مطلق وصخب جميل وفرح يكتنف كل شيء ويُغرق ويخنق كل شيء، فيختفي إلى الأبد الألم والغرور وتفاهة الكلمات.”
ميلان كونديرا, The Unbearable Lightness of Being

Rick Yancey
“He didn’t like to see animals in captivity. When he looked into their eyes, something in their eyes looked back at him.”
Rick Yancey, The Infinite Sea

ميلان كونديرا
“الموسيقى بالنسبة لفرانز هي الفن الأكثر قرباً من الجمال الديونيسي الذي يقدّس النشوة. يمكن لرواية أو للوحة أن تدوّخنا ولكن بصعوبة. أما مع السمفونية التاسعة لبيتهوڤن، أو مع السوناتة المؤلفة من آلتيْ بيانو وآلات النقر لبارتوك، أو مع أغنية للبيتلز، فإن النشوة تعترينا. من جهة أخرى فإن فرانز لا يفرّق بين الموسيقى العظيمة والموسيقى الخفيفة. فهذا التفريق يبدو له خبيثاً وبالياً، فهو يحب موسيقى الروك وموزار على حد سواء.
الموسيقى بالنسبة له محرّرة: إذ تحرره من الوحدة والانعزال ومن غبار المكتبات. وتفتح في داخل جسده أبواباً لتخرج النفس وتتآخى مع الآخرين. كما أنه يحب الرقص إلى جانب ذلك ويشعر بالأسى لأن سابينا لا تشاركه هذا الولع.”
ميلان كونديرا, The Unbearable Lightness of Being

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