Wes Spence

“He could remember a time when darkness had been a quality of the world itself, a thing of the sky when the sun sagged below the horizon and the light leaked out; a thing of the sea when you dove deep enough for the weight of the salt water to smother the shine; a thing of castle keeps and caves after someone snuffed the last lamp and the great stone space went black. Even the darkness of Hull’s Hole, that absolute absence of light filling the cave’s snaking chamber: you went into it, then you came out. Or if you failed to come, if the slarn tore you apart, then you slid into the longer darkness of death. It had seemed an awful fate once, being stuck in that endless black. That was before the blade had taught Valyn hui’Malkeenian a greater, more terrible truth: the outer dark, for all its horrors - the old, cold dark of caverns or the bottomless dark of the dead - it was nothing when set beside the darkness carried inside, a darkness bled into poisoned flesh and carved across ruined eyes, a darkness of the self.”
― Brian Staveley, The Last Mortal Bond

“... It's perfect! Locke would appreciate it."

"Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'"

"Rivalled only by 'Locke taught me a new trick,'" added Galo.

"The only person who gets away with Locke Lamora games ..."

"... is Locke ..."

"... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..."

"... and fifty thousand cheering spectators.”
― Scott Lynch, The Lies of Locke Lamora

“Some things have to be done. It's better to do them, than to live with the fear of them.”
― Joe Abercrombie, The Blade Itself

“The literature of the fantastic — the wonder tale, the fable, the folk tale, the magic-realist novel — has always embodied profound truths about human beings, their finest attributes and their deepest prejudices too. The wonder tale tells us truths about ourselves that are often unpalatable; it exposes bigotry, explores the libido, brings our deepest fears to light. Such stories are by no means intended simply for the amusement of children, and many of them were not originally intended for children at all. Sinbad the Sailor and Aladdin were not Disney characters when they started out on their journeys.”
― Salman Rushdie