Wes Spence

“The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”
― Patrick Rothfuss, The Name of the Wind

“Years, back, when they first made him a sergeant, he’d imagined the officers much have all the answers. When he was given his commission, he’d imagined the generals must have all the answers. When King Orso made him a general, he’d imagined the Closed counsel bust have all the answers. Now, as a lord marshal, he finally knew it for an absolute fact. No one had the answers. Worse. There weren’t any.”
― Joe Abercrombie, The Trouble with Peace

“Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice.
Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it?
Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?
Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?”
― Joe Abercrombie, The Blade Itself

“... It's perfect! Locke would appreciate it."

"Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'"

"Rivalled only by 'Locke taught me a new trick,'" added Galo.

"The only person who gets away with Locke Lamora games ..."

"... is Locke ..."

"... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..."

"... and fifty thousand cheering spectators.”
― Scott Lynch, The Lies of Locke Lamora