“To harp on a theme: it’s all about placing yourself and your machine in various relationships to the world in order to get at relationships between your self and the world.”
― To Photograph Is to Learn How to Die: An Essay with Digressions
― To Photograph Is to Learn How to Die: An Essay with Digressions
“The limitations we sense in the photograph - of the actual and of time - are felt keenly by those who use a camera, in ways that are simply not realized by the painter or the poet or anyone else. Strangely, we can never seem to get enough of these particular limitations.”
― To Photograph Is to Learn How to Die: An Essay with Digressions
― To Photograph Is to Learn How to Die: An Essay with Digressions
“Photographic seeing is an intentional way of continually discovering and rediscovering integrations of self and not-self. In a photograph, the mind of the maker is fleetingly apprehended.”
― To Photograph Is to Learn How to Die: An Essay with Digressions
― To Photograph Is to Learn How to Die: An Essay with Digressions
“Choices of aspect ratio or lens coverage or film type are not just things that impact how your prints look on the wall or in a book. They are the very structure of your mind when it meets the world with a camera.”
― To Photograph Is to Learn How to Die: An Essay with Digressions
― To Photograph Is to Learn How to Die: An Essay with Digressions
“The photographic enterprise of experimenting with and exploiting all these variables [camera, film, image format, lenses, etc] as a way of creating imaginative correspondences is really just a specialized or concentrated version of the way in which all people know the world in moment-to-moment experience.”
― To Photograph Is to Learn How to Die: An Essay with Digressions
― To Photograph Is to Learn How to Die: An Essay with Digressions
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Jason’s 2025 Year in Books
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