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“Comedy is a lie, too, of course. It’s a defense, an aggression. It is a thing created to separate, to say, “I am not like this.” It is Godlike in its judgment and, by definition, the antithesis of empathy. Comedy sits on its throne and states: You are ridiculous. You are pathetic. You are stupid. Your pain amuses me. Most important, I am not you. Even comedy directed at the self, the stand-ups, the Woody Allens of the world, is performed as an act of defense: I am in on the joke that is me, therefore the joke is not me.”
― Charlie Kaufman, Antkind

“The artist does not ascribe to the natural form of appearance the same convincing significance as the realists who are his critics. He does not feel so intimately bound to that reality, because he cannot see in the formal products of nature the essence of the creative process. He is more concerned with formative powers than with formal products.”
― Paul Klee

“I can prove now, for instance, that two human hands exist. How?. By holding up my two hands, and saying, as I make a certain gesture with the right hand 'Here is one hand' and adding, as I make a certain gesture with the left 'and here is another.' And if, by doing this, I have proved ipso facto the existence of external things. And if, by doing this, I have proved ipso facto the existence of external things, you will all see that I can also do it now in numbers of other ways: there is
no need to multiply examples. But did I prove just now that two human hands were then in existence? I do want to insist that I did; that the proof which I gave was a perfectly rigorous one; and that it is perhaps impossible to give a better or more rigorous proof of anything whatever.”
― George Edward Moore, Philosophical Papers

“My voice carries less in the snow.”
― Édouard Levé, Autoportrait