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“The word "school" has a curious history behind it. Meaning originally "leisure" it has now acquired precisely the opposite sense of systematic work and training, as civilization restricted the free disposal of the young man's time more and more and herded larger and larger classes of the young to a daily life of severe application from childhood onwards.”
― Homo Ludens: A Study of the Play Element in Culture
― Homo Ludens: A Study of the Play Element in Culture
“Our flesh is like silly putty that distorts when it is ignored. We are constantly obliged to actively participate in its formation, or else it will droop of its own weight and plasticity.
This incessant formation we cannot stop. We can only make the choice to let it go its own way - directed by genetics, gravity, appetites, habits, the accidentals of our surroundings, and so on - or the choice to let our sensory awareness penetrate its processes, to be personally present in the midst of those processes with the full measure of our subjective, internal observations and responses, and to some degree direct the course of that formation.
We do not have the option of remaining passively unchanged, and to believe for a moment in this illusion is to invite distortions and dysfunctions. Like putty, we are either shaping ourselves or we are drooping; like clay, we either keep ourselves moist and malleable or we are drying and hardening. We must do one or the other; we may not passively avoid the issue.”
― Job's Body
This incessant formation we cannot stop. We can only make the choice to let it go its own way - directed by genetics, gravity, appetites, habits, the accidentals of our surroundings, and so on - or the choice to let our sensory awareness penetrate its processes, to be personally present in the midst of those processes with the full measure of our subjective, internal observations and responses, and to some degree direct the course of that formation.
We do not have the option of remaining passively unchanged, and to believe for a moment in this illusion is to invite distortions and dysfunctions. Like putty, we are either shaping ourselves or we are drooping; like clay, we either keep ourselves moist and malleable or we are drying and hardening. We must do one or the other; we may not passively avoid the issue.”
― Job's Body
“Delay. Here is an excellent strategy for being chronically miserable and maddening to others: Be chronically dissatisfied with everything in your life, complain constantly, but do nothing effective to change your situation. If you are in a particularly bad marriage or work situation, be sure to stay there, in that it provides a never-ending supply of material to complain about and to justify why you feel so badly.
If someone suggests an alternative, reject it as something that wouldn't work or that you've already tried. Or, try it out, but make sure it doesn't work. If anyone ever criticizes you for any of this, either agree profusely with their criticism and extend it even further, or, if you feel you have enough credits to do so, finally let out your frustration and spite on them for their insensitivity, ineptitude in trying to assist you, or their stupidity in not seeing the hopelessness of your situation. Whether you continue with your habitual passive-aggressive behavior or show a rare indulgence of aggression, remember to always hold to the morally superior position. By adopting this strategy, you will remain defeated but you won't be alone. By dragging the other down with you, you can further justify your position and enjoy a certain amount of triumph. After all, you are used to this and have never expected anything different. This will be a particularly effective strategy with your children who will find it more than usually difficult to reject you. With any luck at all, they will never give up on you, and you can sustain this solution to life's problems for a life time.”
― Character Styles
If someone suggests an alternative, reject it as something that wouldn't work or that you've already tried. Or, try it out, but make sure it doesn't work. If anyone ever criticizes you for any of this, either agree profusely with their criticism and extend it even further, or, if you feel you have enough credits to do so, finally let out your frustration and spite on them for their insensitivity, ineptitude in trying to assist you, or their stupidity in not seeing the hopelessness of your situation. Whether you continue with your habitual passive-aggressive behavior or show a rare indulgence of aggression, remember to always hold to the morally superior position. By adopting this strategy, you will remain defeated but you won't be alone. By dragging the other down with you, you can further justify your position and enjoy a certain amount of triumph. After all, you are used to this and have never expected anything different. This will be a particularly effective strategy with your children who will find it more than usually difficult to reject you. With any luck at all, they will never give up on you, and you can sustain this solution to life's problems for a life time.”
― Character Styles
“Frozen or weak structures have problems feeling inner motility or support; their loss of bone integrity leads to feelings of inner fragmentation. Parents who do not hold their children or give enough early containment may force them to rigidify their muscles in order to gain a sense of support. If, as adults, these people try to relax their muscular contractions they will experience anxiety because they lack feelings of inner support from their bones and joints.”
― Emotional Anatomy: The Structure of Experience
― Emotional Anatomy: The Structure of Experience
“This something, I believe, is simply the presupposition that theatre is in and of itself communitarian. This presupposition continues to precede theatrical performances and anticipate its effects. But in a theatre, in front of a performance, just as in a museum, school or street, there are only ever individuals plotting their own paths in the forest of things, acts and signs that confront or surround them. The collective power shared by spectators does not stem from the fact that they are members of a collective body or from some specific form of interactivity. It is the power each of them has to translate what she perceives in her own way, to link it to the unique intellectual adventure that makes her similar to all the rest in as much as this adventure is not like any other. This shared power of the equality of intelligence links individuals, makes them exchange their intellectual adventures, in so far as it keeps them separate from one another, equally capable of using the power everyone has to plot her own path. What our performances — be they teaching or playing, speaking, writing, making art or looking at it — verify is not our participation in a power embodied in the community. It is the capacity of anonymous people, the capacity that makes everyone equal to everyone else. This capacity is exercised through irreducible distances; it is exercised by an unpredictable interplay of associations and dissociations.”
― The Emancipated Spectator
― The Emancipated Spectator
Alex’s 2024 Year in Books
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