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“The Kitchen
Half a papaya and a palmful of sesame oil;
lately, your husband’s mind has been elsewhere.
Honeyed dates, goat’s milk;
you want to quiet the bloating of salt.
Coconut and ghee butter;
he kisses the back of your neck at the stove.
Cayenne and roasted pine nuts;
you offer him the hollow of your throat.
Saffron and rosemary;
you don’t ask him her name.
Vine leaves and olives;
you let him lift you by the waist.
Cinnamon and tamarind;
lay you down on the kitchen counter.
Almonds soaked in rose water;
your husband is hungry.
Sweet mangoes and sugared lemon;
he had forgotten the way you taste.
Sour dough and cumin;
but she cannot make him eat, like you.”
― Teaching My Mother How to Give Birth
Half a papaya and a palmful of sesame oil;
lately, your husband’s mind has been elsewhere.
Honeyed dates, goat’s milk;
you want to quiet the bloating of salt.
Coconut and ghee butter;
he kisses the back of your neck at the stove.
Cayenne and roasted pine nuts;
you offer him the hollow of your throat.
Saffron and rosemary;
you don’t ask him her name.
Vine leaves and olives;
you let him lift you by the waist.
Cinnamon and tamarind;
lay you down on the kitchen counter.
Almonds soaked in rose water;
your husband is hungry.
Sweet mangoes and sugared lemon;
he had forgotten the way you taste.
Sour dough and cumin;
but she cannot make him eat, like you.”
― Teaching My Mother How to Give Birth
“Frida Kahlo to Marty McConnell
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.”
―
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.”
―
“The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbola never perfectly match. Eros is in between.”
― Eros the Bittersweet
― Eros the Bittersweet
“How odd I can have all this inside me and to you it’s just words.”
― The Pale King
― The Pale King
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