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The Lathe of Heaven
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David Lipsky
“David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons…

That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion.

Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole.

Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself.

It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.”
David Lipsky, Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace

Machado de Assis
“Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.”
Machado de Assis, Dom Casmurro

David Lipsky
“David Foster Wallace: Because I'd like to be the sort of person who can enjoy things at the time instead of having to go back in my head and enjoy them then.”
David Lipsky, Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace

Agustín Fernández Mallo
“Fuiste la llama de mi razón alucinada. No había espacio donde apoyar ya mis símbolos. Te amaré tanto, decías, y aprendimos la importancia del café del desayuno en tanto yo salía a robar para ti naranjas. Devoramos el mundo, esa bestia sordomuda, para hacernos menos sordos, menos mudos, siguiendo una ley por la cual buscando crear y destruir energía la encuentras en belleza transformada. Yo no sabía qué pasa cuando un péndulo se detiene porque jamás he visto uno detenido. Llorabas y llovía. Vi cosas en tus ojos que nadie había visto, me apretabas la mano buscando exprimir aquella fruta robada a mí; a nadie; transgénico zumo de lluvia en lágrimas. La verdad es a veces tan verdad que se vuelve 100% cristalina, y así innombrable.”
Agustín Fernández Mallo, Carne de píxel

Rainer Maria Rilke
“There is only one way: Go within. Search for the cause, find the impetus that bids you write. Put it to this test: Does it stretch out its roots in the deepest place of your heart? Can you avow that you would die if you were forbidden to write? Above all, in the most silent hour of your night, ask yourself this: Must I write? Dig deep into yourself for a true answer. And if it should ring its assent, if you can confidently meet this serious question with a simple, “I must,” then build your life upon it. It has become your necessity. Your life, in even the most mundane and least significant hour, must become a sign, a testimony to this urge.”
Rainer Maria Rilke, Letters to a Young Poet

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