Bea

“While you were talking, I was thinking … whatever distance we can put between ourselves and hatred? That’s freedom—that’s all the freedom we’re likely to get.”
― Pola Oloixarac, Mona

“That’s what I dislike most of all in people—cold irony. It’s a very cowardly attitude to mock or belittle everything, never be committed to anything, not feel tied to anything. Like an impotent man who can’t experience pleasure himself, but will do all he can to ruin it for others. Cold irony is Urizen’s basic weapon. The armaments of impotence. At the same time the ironists always have a world outlook that they proclaim triumphantly, though if one starts badgering and questioning them about the details, it turns out to consist of nothing but trivia and banalities.”
― Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

“Daniel stays with us till midnight. He’s a little afraid to leave, afraid, in fact, to hit those streets, and Fonny realizes this and walks him to the subway. Daniel, who cannot abandon his mother, yet longs to be free to confront his life; is terrified at the same time of what that life may bring, is terrified of freedom; and is struggling in a trap. And Fonny, who is younger, struggles now to be older, in order to help his friend toward his deliverance. Didn’t my Lord deliver Daniel? And why not every man? The song is old, the question unanswered.”
― James Baldwin, If Beale Street Could Talk

“times the girl offered her hand, her mother refused it. It was the usual struggle between one who loves by accepting burdens and one who loves by refusing to be one.”
― Helen Oyeyemi, What Is Not Yours Is Not Yours