Jan Bednarczuk

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Making Money
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An Open Heart: Pr...
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The Very Best of ...
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Chantel Acevedo
“I've seen it before, what mothers and daughters can do to one another during those terrible adolescent years. Grief must be at the bottom of it, for what is sadder for a parent than seeing her daughter shedding girlhood drop by precious drop? And what is more terrifying for a child than to doubt her mother, to begin to see her as a human with faults instead of as a goddess?”
Chantel Acevedo, The Distant Marvels

Neal Stephenson
“Like every other creature on the face of the earth, Godfrey was, by birthright, a stupendous badass, albeit in the somewhat narrow technical sense that he could trace his ancestry back up a long line of slightly less highly evolved stupendous badasses to that first self-replicating gizmo---which, given the number and variety of its descendants, might justifiably be described as the most stupendous badass of all time. Everyone and everything that wasn't a stupendous badass was dead.”
Neal Stephenson, Cryptonomicon

Stephen  King
“I think that writers are made, not born or created out of dreams of childhood trauma—that becoming a writer (or a painter, actor, director, dancer, and so on) is a direct result of conscious will. Of course there has to be some talent involved, but talent is a dreadfully cheap commodity, cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work and study; a constant process of honing. Talent is a dull knife that will cut nothing unless it is wielded with great force—a force so great the knife is not really cutting at all but bludgeoning and breaking (and after two or three of these gargantuan swipes it may succeed in breaking itself…which may be what happened to such disparate writers as Ross Lockridge and Robert E. Howard). Discipline and constant work are the whetstones upon which the dull knife of talent is honed until it becomes sharp enough, hopefully, to cut through even the toughest meat and gristle. No writer, painter, or actor—no artist—is ever handed a sharp knife (although a few are handed almighty big ones; the name we give to the artist with the big knife is “genius”), and we hone with varying degrees of zeal and aptitude.”
Stephen King, Danse Macabre

Michael   Lewis
“I hated discussing ideas with investors," he said, "because I then become a Defender of the Idea, and that influences your thought process." Once you became an idea's defender you had a harder time changing your mind about it.”
Michael Lewis

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