Lucy Coleman

“...There are not enough students to justify a Classics Department. I saw it coming, of course. They closed the Physics Department last year to enlarge Forensic Science and now the Classics Department is to close and Theology will become Comparative Religion. When that’s judged to be too difficult – and with our intake it undoubtedly will be – then no doubt Comparative Religion will become Religion and Media Studies. Or Religion and Forensic Sciences. The government, which proclaims a target of fifty per cent of young people going to university, and at the same time ensures that forty per cent are uneducated when they leave secondary school, lives in a fantasy world...”
― P.D.James

“...there were two gentleman seated by it talking in French;impossible to follow their rapid utterance, or comprehend much of the purport of what they said ...yet French, in the mouths of Frenchmen or Belgians (...), was as music to my ears. One of these gentlemen presently discerned me to be an Englishman - no doubt from the fashion in which I addressed the waiter; for I would persist in speaking French in my execrable South-of-England style, though the man understood English. The gentleman, after looking towards me once or twice ,politely accosted me in very good English; I remember I wish to God that I could speak French as well; his fluency and correct pronunciation impressed me for the first time with a due notion of the cosmopolitan character of the capital I was in, it was my first experience of that skill in living languages I afterwards found to be so general in Brussels.”
― Charlotte Brontë, The Professor

“Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.

Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.

Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.

First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.

"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.

In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.

Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.”
― Frederick Buechner, Godric

“The map of our life is folded in such a way that we cannot see one main road across it, but as it is opened out, we are constantly seeing new side roads. We think we are choosing, and we have no choice.”
― Jean Cocteau, Μονόπρακτα: Η ανθρώπινη φωνή-Το φάντασμα της Μασσαλίας-Η ψεύτρα-Την έχασα