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Иероним К.

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Andrew Scull
“As its lists of diagnoses and ‘diseases’ proliferate, the frantic efforts to distinguish ever-larger numbers of types and sub-types of mental disorder come to seem like an elaborately disguised game of make-believe.”
― Andrew Scull, Madness in Civilization: A Cultural History of Insanity, from the Bible to Freud, from the Madhouse to Modern Medicine

Frederik Pohl
“A good science fiction story should be able to predict not the automobile but the traffic jam.”
― Frederik Pohl

Mark Fisher
“The current ruling ontology denies any possibility of a social causation of mental illness. The chemico-biologization of mental illness is of course strictly commensurate with its depoliticization. Considering mental illness an individual chemico-biological problem has enormous benefits for capitalism. First, it reinforces Capital’s drive towards atomistic individualization (you are sick because of your brain chemistry). Second, it provides an enormously lucrative market in which multinational pharmaceutical companies can peddle their pharmaceuticals (we can cure you with our SSRIs). It goes without saying that all mental illnesses are neurologically instantiated, but this says nothing about their causation. If it is true, for instance, that depression is constituted by low serotonin levels, what still needs to be explained is why particular individuals have low levels of serotonin. This requires a social and political explanation; and the task of repoliticizing mental illness is an urgent one if the left wants to challenge capitalist realism.”
― Mark Fisher, Capitalist Realism: Is There No Alternative?

Алексей Поляринов
“сперва мы все с ужасом наблюдали за тем, как марка падает в цене по отношению к доллару; затем, когда она пробила барьер в миллион – нам стало наплевать. И это было откровение – мы поняли, что будущего нет, а значит, можно со спокойной душой жить здесь и сейчас.”
― Алексей Поляринов, Центр тяжести

Brian Eno
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
― Brian Eno, A Year With Swollen Appendices

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