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Invent To Learn: ...
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Confessions
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Persuasion
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محمد المنسي قنديل
“ أتدري ماذا أراد عبد الناصر منا أن نكون , عشبا أخضر , مزدهرا و يانعا , و لكنه عشب , متشابه العيدان و الأوراق , العشبة تشبه العشبة بلا أدنى اختلاف , ننحني جميعا أمام العاصفة , و نخضع للقص و التشذيب , و نمتص نوع السماد الذي يوضع لنا , لم يرد منا أن نتمايز , أن تخرج منا أزهارا برية أو أحراشا مليئة بالأشواك أو حتى أشجارا تنبت النبق و الحصرم , كان يحرص على تغذيتنا بالسماد المناسب , و لكنه كان يقصنا في الوقت المناسب أيضا ”
― محمد المنسي قنديل إنكسار الروح

W.H. Auden
“In accepting and defending the social institution of slavery, the Greeks were harder-hearted than we but clearer-headed; they knew that labor as such is slavery, and that no man can feel a personal pride in being a laborer. A man can be proud of being a worker – someone, that is, who fabricates enduring objects, but in our society, the process of fabrication has been so rationalized in the interests of speed, economy and quantity that the part played by the individual factory employee has become too small for it to be meaningful to him as work, and practically all workers have been reduced to laborers. It is only natural, therefore, that the arts which cannot be rationalized in this way – the artist still remains personally responsible for what he makes – should fascinate those who, because they have no marked talent, are afraid, with good reason, that all they have to look forward to is a lifetime of meaningless labor. This fascination is not due to the nature of art itself, but to the way in which an artists works; he, and in our age, almost nobody else, is his own master. The idea of being one’s own master appeals to most human beings, and this is apt to lead to the fantastic hope that the capacity for artistic creation is universal, something nearly all human beings, by virtue, not by some special talent, but due to their humanity, could do if they tried.”
― W.H. Auden, The Dyer's Hand and Other Essays

Nelson Goodman
“My title “The Fabrication of Facts,” has the virtue not only of indicating pretty clearly what I am going to discuss but also of irritating those fundamentalists who know very well that facts are found not madder, that facts constitute the one and only real world, and that knowledge consists of believing the facts. These articles of faith so firmly possess most of us, they so bind and blind us, that “fabrication of fact” has a paradoxical sound. “Fabrication” has become a synonym for “falsehood” or “fiction” as contrasted with “truth” or “fact.” Of course, we must distinguish falsehood and fiction from truth and fact; but we cannot, I am sure, do it on ground that fiction is fabricated and fact found. - 91”
― Nelson Goodman, Ways of Worldmaking

Edward O. Wilson
“Unfortunately a religious group defines itself foremost by its creation story, the supernatural narrative that explains how humans came into existence. And this story is also the heart of tribalism. No matter how gentle and high-minded, or subtly explained, the core belief assures its members that God favors them above all others. It teaches that members of other religions worship the wrong gods, use wrong rituals, follow false prophets, and believe fantastic creation stories. There is no way around the soul-satisfying but cruel discrimination that organized religions by definition must practice among themselves. I doubt there ever has been an imam who suggested that his followers try Roman Catholicism or a priest who urged the reverse.”
― Edward O. Wilson, The Meaning of Human Existence

عبد الله العروي
“الذاكرة هي القوة على عكس الزمن دون الوعي بالعملية. لهذا السبب، وخلافا لما يبدو لأول وهلة، لا تمثّل نقطة البداية بدءاً، بل تأتي لاحقا، بعد الوعي بالتوقف والالتفات. الوقفة هي التي تستتبع المنطلق. ما إن تكون ذاكرة إلا ويكون خلف واستدارة. فيُروى مبدأ كل شيء، النور، النار، الحيوان، الإنسان، النطق، إلخ..”
― عبد الله العروي, السنة والإصلاح

83482 عالم المعرفة — 90 members — last activity Nov 06, 2012 07:46PM
عالم المعرفة سلسلة كتب ثقافية شهرية يصدرها المجلس الوطني للثقافة والفنون والآداب في دولة الكويت. صدر العدد الأول منها في يناير 1978 بإشراف أحمد مشاري ...more
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