Romany Arrowsmith

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Nuns and Soldiers
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Mrs. Bridge
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Wise Children
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Book cover for Sadly, Porn
“I know this is going to sound arrogant, but I'm just being brutally honest so I can understand myself better: every girlfriend I have ends up falling in love with me.”  HA!  You want me to detect that your problem is an overestimation of ...more
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Humphrey Carpenter
“In particular he felt lonely at the lack of male company. His old friend and doctor, R. E. Havard of the Inklings, was a near neighbour and (being a Catholic) often sat next to him at mass on Sundays. Their conversation on the way home after church was an important part of Tolkien’s week, but it often only made him nostalgic.

C. S. Lewis died on 22 November 1963, aged sixty-four. A few days later, Tolkien wrote to his daughter Priscilla: ‘So far I have felt the normal feelings of a man of my age – like an old tree that is losing all its leaves one by one: this feels like an axe-blow near the roots.”
Humphrey Carpenter, J.R.R. Tolkien: A Biography

John Fowles
“What was I? Exactly what Conchis had had me told: nothing but the net sum of countless wrong turnings. Why? I dismissed most of the Freudian jargon of the trial; but all my life I had tried to turn life into fiction, to hold reality away; always I had acted as if a third person was watching and listening and giving me marks for good or bad behavior—a god like a novelist, to whom I turned, like a character with the power to please, the sensitivity to feel slighted, the ability to adapt himself to whatever he believed the novelist-god wanted. This leechlike variation of the superego I had created myself, fostered myself, and because of it I had always been incapable of acting freely. It was not my defense; but my despot. And now I saw it, I saw it a death too late.”
John Fowles, The Magus

Humphrey Carpenter
“Man, Sub-creator’ was in one sense a new way of expressing what is often called ‘the willing suspension of disbelief, and Tolkien made it the central argument of the lecture.
‘What really happens,’ he wrote, ‘is that the story-maker proves a successful “sub-creator”. He makes a Secondary World which your mind can enter. Inside it, what he relates is “true”: it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.”
Humphrey Carpenter, J.R.R. Tolkien: A Biography

Rivka Galchen
“I was having so much fear," the simulacrum said, kissing my eyelids and I couldn't help but think about the eyelid kissing, and how this is a thing Rema always liked to do, and though I understand that eye lid kissing is a fairly standard part of any amatory repertoire, I remember how it really needled me at the beginning, needled me for being a sort of learned behavior, which therefore pointed to that whole world that was Rema before I knew her, and pointed to all those people who were not me who had gone into the creation of her as she was, and-well, in that way she was like some alien sedentary rock forma tion, some meteor fallen to my planet, and it seemed a violation of me to have no choice but to love some charred castaway, with all its strata-I guess I am very jealous and possessive_I just found it very diffi cult those moments, like eyelid kissing, when I couldn't help but perceive her duplicity, her triplicity.”
Rivka Galchen, Atmospheric Disturbances

Edna O'Brien
“He probably knew that any man she took up with now would only pay in pain for what had happened between her and Eugene; the brutal logic of wronged lovers taking their revenge on innocents and outsiders.”
Edna O'Brien, The Country Girls Trilogy & Epilogue [The Country Girls, The Lonely Girl, Girls in their married bliss].

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