Laura King

“Our eyes meet. And…it’s like all my life I’ve been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I’m not a tower at all. I’m a lighthouse. It’s like waking up. I am incandescent.”
― Laini Taylor, Night of Cake & Puppets

“In the past few years, I’ve vacationed in Panama and England. I’ve bought my groceries at Whole Foods. I’ve watched orchestral concerts. I’ve tried to break my addiction to “refined processed sugars” (a term that includes at least one too many words). I’ve worried about racial prejudice in my own family and friends. None of these things is bad on its own. In fact, most of them are good—visiting England was a childhood dream; eating less sugar improves health. At the same time, they’ve shown me that social mobility isn’t just about money and economics, it’s about a lifestyle change. The wealthy and the powerful aren’t just wealthy and powerful; they follow a different set of norms and mores. When you go from working-class to professional-class, almost everything about your old life becomes unfashionable at best or unhealthy at worst.”
― J.D. Vance, Hillbilly Elegy: A Memoir of a Family and Culture in Crisis

“Anyone looking back at the log later, trying to piece together a mystery, would find nothing but times and dry entries. It was a lazy Sunday. What made it meaningful were not the facts or details, but the imperceptibles. Inner life. The smell of the beach grass and the feel of sand on a bathroom floor when changing out of a swimsuit. The heat of American summer. Line ten of the log read simply: 10:22 Condor ate second breakfast. It couldn’t capture the perfect toasting of the onion bagel or the saltiness of the fish in contrast with the thickness of cream cheese. It was time lost in a book—a journey of imagination, transportation—which to others simply looks like sitting or lying stomach-down on the rug in front of a summertime fire, legs bent at the knees, up ninety degrees, kicking absently, feet languid in the air.”
― Noah Hawley, Before the Fall

“But singing isn’t just about belting it out, is it? It’s not just who has the most wobble or the highest note, no, it’s about phrasing, and being delicate, and getting just the right feeling from a song, the soul of it, so that something real happens inside you when a man opens his mouth to sing, and don’t you want to feel something real rather than just having your poor earholes bashed in?”
― Zadie Smith, Swing Time