Laurie Wright

“Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament.”
― Frances Mayes, Under Magnolia: A Southern Memoir

“Because the South can be a dangerous place, especially for those who don’t understand it.”
― Shannon Celebi, Small Town Demons

“Nobody sees anybody truly but all through the flaws of their own egos. That is the way we all see ...each other in life. Vanity, fear, desire, competition-- all such distortions within our own egos-- condition our vision of those in relation to us. Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other. That's how it is in all living relationships except when there is that rare case of two people who love intensely enough to burn through all those layers of opacity and see each other's naked hearts.”
― Tennessee Williams

“Fifty years ago in his novel Cat’s Cradle, Kurt Vonnegut playfully (but prophetically) called these “connections” a “granfalloon”—a group of people who choose, or claim to have, a shared identity or purpose, but whose mutual association is actually meaningless. The author offered two examples, Daughters of the American Revolution and the General Electric Company; if Vonnegut wrote the novel today, the examples could just as easily be Facebook or Twitter.”
― Jerold J. Kreisman, I Hate You--Don't Leave Me: Understanding the Borderline Personality