Patrick.G.P
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Walter de la Mare
“Long after they had bidden each other good-night, long after Herbert had trodden on tiptoe with his candle past his closed door, Lawford sat leaning on his arms at the open window, staring out across the motionless moonlit trees that seemed to stand like draped and dreaming pilgrims, come to the peace of their Nirvana at last beside the crashing music of the waters. And he himself, the self that never sleeps beneath the tides and waves og consciousness, was listening, too, almost as unmovedly and unheedingly to the thoughts that clashed in conflict through his brain.”
Walter de la Mare, The Return

Algernon Blackwood
“That horror which stalks in the stillness of the noonday, when the glare of an artificial sunshine lights up the motionless trees, moved all about her. In front and behind she was aware of it. Beyond this stealthy silence, just within the edge of it, the things of another world were passing. But she could not know them. Her husband knew them, knew their beauty and their awe, yes, but for her they were out of reach. She might not share with him the very least of them. It seemed that behind and through the glare of this wintry noonday in the heart of the woods there brooded another universe of life and passion, for her all unexpressed. The silence veiled it, the stillness hid it; but he moved with it all and understood. His love interpreted it.”
Algernon Blackwood, The Man Whom the Trees Loved

Robert Aickman
“It is almost as if the nearer one approaches to a thing, the less it proves to be there, to exist at all.”
Robert Aickman, Cold Hand in Mine: Strange Stories

Arthur Machen
“The arts, then, are man’s difference, that which makes him to be what he is; and when he speaks through them he is using the utterance which is proper to him, as man. For, if we once set aside the “does it pay” nonsense, which is evidently nonsense and pestilent nonsense at that, we come clearly and freely to the truth that man is concerned with beauty, and with the ecstasy or rapture that proceeds from the creation of beauty and from the contemplation of it.”
Arthur Machen, The autobiography of Arthur Machen

Arthur Machen
“It was difficult to say which were the more dismal, these deserted streets that wandered away to right and left, or the great main thoroughfare with its narcotic and shadowy life. For the latter appeared vast, interminable, grey, and those who travelled by it were scarcely real, the bodies of the living, but rather the uncertain and misty shapes that come sand go across the desert in an Eastern tale, when men look up from the sand and see a caravan pass them, all in silence, without a cry or a greeting. So they passed and repassed each other on those pavements, appearing and vanishing, each intent on his own secret, and wrapped in obscurity.”
Arthur Machen, The Hill of Dreams

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