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Destiny's Road
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bookshelves: sf, currently-reading
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Isaac Asimov
“Lamentarsi è una caratteristica innata della specie umana. Nel Secolo del Carbone la gente imprecava contro la macchina a vapore; in una commedia di Shakespeare un personaggio lamenta l'invenzione della polvere da sparo. Mille anni dopo ci si lamentava per la fabbricazione del cervello positronico.”
Isaac Asimov, The Caves of Steel

Isaac Asimov
“I don't believe in an afterlife, so I don't have to spend my whole life fearing hell, or fearing heaven even more. For whatever the tortures of hell, I think the boredom of heaven would be even worse.”
Isaac Asimov

Isaac Asimov
“Isn't it sad that you can tell people that the ozone layer is being depleted, the forests are being cut down, the deserts are advancing steadily, that the greenhouse effect will raise the sea level 200 feet, that overpopulation is choking us, that pollution is killing us, that nuclear war may destroy us - and they yawn and settle back for a comfortable nap. But tell them that the Martians are landing, and they scream and run.”
Isaac Asimov, The Secret of the Universe

Isaac Asimov
“The easiest way to solve a problem is to deny it exists.”
Isaac Asimov

Norman Spinrad
“Cat Rambo: Where do you think the perennial debate between what is literary fiction and what is genre is sited?

Norman Spinrad: I think it’s a load of crap. See my latest column in Asimov’s, particularly re The Road by Cormac McCarthy. I detest the whole concept of genre. A piece of fiction is either a good story well told or it isn’t. The supposed dichotomy between “literary fiction” and “popular fiction” is ridiculous. Hemingway, Fitzgerald, Mailer, did not have serious literary intent? As writers of serious literary intent, they didn’t want to be “popular,” meaning sell a lot of books? They wanted to be unpopular and have terrible sales figures to prove they were “serious”?

I say this is bullshit and I say the hell with it. “Genre,” if it means anything at all, is a restrictive commercial requirement. “Westerns” must be set in the Old West. “Mysteries” must have a detective solving a crime, usually murder. “Nurse Novels” must have a nurse. And so forth.

In the strictly literary sense, neither science fiction nor fantasy are “genres.” They are anti-genres. They can be set anywhere and anywhen except in the mimetic here and now or a real historical period. They are the liberation of fiction from the constraints of “genre” in an absolute literary sense.”
Norman Spinrad
tags: genre

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