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Adela Marcov
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“In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.”
― The Marriage Plot
― The Marriage Plot
“I guess I´m too used to sitting in a small room and making
words do a few things. I see enough of humanity at the
racetracks, the supermarkets, gas stations, freeways, cafes,
etc. This can´t be helped. But I feel like kicking myself in
the ass when I go to gatherings, even if the drinks are free.
It never works for me. I´ve got enough clay to play with.
People empty me. I have to get away to refill. I´m what´s best
for me, sitting here slouched, smoking a beedie and watching
this creen flash the words. Seldom do you meet a rare or
interesting person. It´s more than galling, it´s a fucking
constant shock. It´s making a god-damned grouch out of me.
Anybody can be a god-damned grouch and most are. Help!”
― The Captain is Out to Lunch and the Sailors Have Taken Over the Ship
words do a few things. I see enough of humanity at the
racetracks, the supermarkets, gas stations, freeways, cafes,
etc. This can´t be helped. But I feel like kicking myself in
the ass when I go to gatherings, even if the drinks are free.
It never works for me. I´ve got enough clay to play with.
People empty me. I have to get away to refill. I´m what´s best
for me, sitting here slouched, smoking a beedie and watching
this creen flash the words. Seldom do you meet a rare or
interesting person. It´s more than galling, it´s a fucking
constant shock. It´s making a god-damned grouch out of me.
Anybody can be a god-damned grouch and most are. Help!”
― The Captain is Out to Lunch and the Sailors Have Taken Over the Ship
“What is art? (...) Like a declaration of love: the consciousness of our dependence on each other. A confession. An unconscious act that none the less reflects the true meaning of life—love and sacrifice.”
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“She wasn't all that interested, as a reader, in the reader. She was still partial to that increasingly eclipsed entity: the writer. Madeleine had a feeling that most semiotic theorists had been unpopular as children, often bullied or overlooked, and so had directed their lingering rage onto literature. They wanted to demote the author. They wanted a book, that hard-won, transcendent thing, to be a text, contingent, indeterminate, and open for suggestions. They wanted the reader to be the main thing. Because they were readers.
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it.”
― The Marriage Plot
Whereas Madeleine was perfectly happy with the idea of genius. She wanted a book to take her places she couldn't get to herself. She thought a writer should work harder writing a book than she did reading it.”
― The Marriage Plot
“-Who are you, anyway?
-Just someone who knows, from personal experience, how attractive it can be to think you can save somebody else by loving them.”
― The Marriage Plot
-Just someone who knows, from personal experience, how attractive it can be to think you can save somebody else by loving them.”
― The Marriage Plot
Adela’s 2025 Year in Books
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