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“Music, rhythm, rigadoon, without end, for no reason.”
― Powers of Horror: An Essay on Abjection
― Powers of Horror: An Essay on Abjection
“Negativity as a source for social theory tends to reject the impulses to repair social relations that appear to us irreparable, and in that light, our work might seem quietistic, apolitical, nihilist, defeatist, or even irresponsible. By engaging closely with sociality and with our own deep-rooted tendencies to think about its zones of optimism and longing, we are seeking to make a persuasive case for the necessity of recognizing the importance of addressing structural antagonisms in any analytic of the social. In doing so, we seek to affirm negativity's central role in any antinormative politics. We hope this conversation might permit a reframing of the antisocial thesis that has already generated such lively debate and so much important theoretical work by its critics and adherents alike. Part”
― Sex, or the Unbearable
― Sex, or the Unbearable
“I speak without knowing it. I speak with my body and I do so unbeknownst to myself. Thus I always say more than I know.
This is where I arrive at the meaning of the word "subject" in analytic discourse. What speaks without knowing it makes me "I," subject of the verb. That doesn't suffice to bring me into being. That has nothing to do with what I am forced to put in — enough knowledge for it to hold up, but not one drop more.”
― On Feminine Sexuality, the Limits of Love and Knowledge: The Seminar of Jacques Lacan, Book XX: Encore
This is where I arrive at the meaning of the word "subject" in analytic discourse. What speaks without knowing it makes me "I," subject of the verb. That doesn't suffice to bring me into being. That has nothing to do with what I am forced to put in — enough knowledge for it to hold up, but not one drop more.”
― On Feminine Sexuality, the Limits of Love and Knowledge: The Seminar of Jacques Lacan, Book XX: Encore
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