Mohammed Al Rahbi
https://www.linkedin.com/in/mohammedalrahbi/
https://www.goodreads.com/mohammedalrahbi
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currently-reading (4)
read (29)
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zanzibar (53)
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history (29)
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arabian-persian-gulf-region (19)
ibadhi-الإباضية (17)
indian-ocean (14)
novels (14)
oman (14)
zionism-and-israel (12)
leadership (11)
productivity (11)
Mohammed Al Rahbi
is currently reading
bookshelves:
swahili-culture,
indian-ocean,
anthropology,
swahili-language,
swahili-poetry,
zanzibar,
currently-reading
Reading for the 2nd time
Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.
“In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions.
In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.”
― Brave New World Revisited
In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.”
― Brave New World Revisited
“إسمع يا أخي أنا لا أعتبر التتار هم مسقطي الخلافة في بغداد، إن الخلافة أسقطتها من قبل قصور مترعة بالأثم ...!! متخمتة بالملذات الحرام ..!!
أنا لا اعد الصليبيين هم مسقطي دولتنا في الأندلس، إن المترفين الناعمين هم الذين أنزلوا راية الإسلام عن هذه الربوع الخضرة، إن ملوك الطوائف في الأندلس لم يكونوا أبناء شرعيين لطارق بن زياد، ولا لغيره من الأبطال الذين باعو الله أنفسهم فأورثهم الأرضين.
إننا نحن قبل غيرنا العقبة الأولى أمام دين عظيم التحدي الأول يجيء من داخل أرضنا ثم تجيء من بعده تحديات الأعداء التقليديين.”
― دستور الوحدة الثقافية بين المسلمين
أنا لا اعد الصليبيين هم مسقطي دولتنا في الأندلس، إن المترفين الناعمين هم الذين أنزلوا راية الإسلام عن هذه الربوع الخضرة، إن ملوك الطوائف في الأندلس لم يكونوا أبناء شرعيين لطارق بن زياد، ولا لغيره من الأبطال الذين باعو الله أنفسهم فأورثهم الأرضين.
إننا نحن قبل غيرنا العقبة الأولى أمام دين عظيم التحدي الأول يجيء من داخل أرضنا ثم تجيء من بعده تحديات الأعداء التقليديين.”
― دستور الوحدة الثقافية بين المسلمين
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