Esther

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Emergent Strategy...
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The Third Bear
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by Jeff Vandermeer (Goodreads Author)
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Near to the Wild ...
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Tamara Faith Berger
“I remember the embarrassment I felt when Lie With Me came out over ten years ago. There was no good way for me to explain why I shot fiction with pornography, hoping for the best. That initial public embarrassment was likely a kind of useless repression. Because I had no big truth to tell about myself. Now, though, in retrospect, I know why I wrote Lie With Me. It was to sustain this perfect, merciless feeling I first had while spitting art’s extremity into the suckhole of porn. And it’s not embarrassing for me to admit anymore that I was desperate to find meaning in this action.

Unfortunately, by the end of two books I didn’t know any more about female sexuality than when I’d started out. My mercilessness had not blossomed into compassion either.

Is untapped sexual energy in women even still a problem these days? In 1999, I felt that problem as acutely as my shame. And it was this push-pull of pressures that made me transcribe and complicate the getting-fucked female voice - a voice that I found in porn, a voice that was utterly wasted by porn.

Porn needed fiction, I felt. I needed the fight.”
Tamara Faith Berger, Little Cat

Antonio Machado
“My philosophy is fundamentally sad, but I’m not a sad man, and I don’t believe I sadden anyone else. In other words, the fact that I don’t put my philosophy into practice saves me from its evil spell, or, rather, my faith in the human race is stronger then my intellectual analysis of it; there lies the fountain of youth in which my heart is continually bathing.”
Antonio Machado

Tamara Faith Berger
“I think that it’s a space that there are a lot of projections onto—the soon-to-be sexualized and already-sexualized young woman. There are so many outside perceptions grafted onto her, that she feels all at once completely blank and completely full. I noticed that a lot in your book, as well, this repetition of a shallowness. But there is also depth in the constant repetition of this shallowness.”
Tamara Faith Berger

year in books
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