Sarah

“Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent human being in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all of the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 3: 1939-1944

“Why can’t I try on different lives, like dresses, to see which fits best and is more becoming?”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“To say that the artist is not serving humanity is monstrous. He has been the eyes, the ears, the voice of humanity. He was always the transcendentalist who x-rayed our true states of being. His role in European culture is clear enough. Here he is given an inferior status, because he is not obviously and directly useful. His usefulness cannot be measured. The artist cannot serve directly.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 3: 1939-1944

“But I went on thinking about false teeth, and then about piano-keys and about that time the blind man from Martinique came to tune the piano and then he played and we listened to him sitting in the dark with the jalousies shut because it was pouring with rain and my father said, 'You are a real musician.' He had a red moustache, my father. And Hester was always saying, 'Poor Gerald, poor Gerald.' But if you'd seen him walking up Market Street, swinging his arms and with his brown shoes flashing in the sun, you wouldn't have been sorry for him. That time when he say, 'The Welsh word for grief is hiraeth.' Hiraeth. And that time when I was crying about nothing and I thought he'd be wild, but he hugged me up and he didn't say anything. I had on a coral brooch and it got crushed. He hugged me up and then he said, 'I believe you're going to be like me, you poor little devil.' And that time when Mr Crowe said, 'You don't mean to say you're backing up that damned French monkey?' meaning the Governor, 'I've met some Englishmen,' he said, 'who were monkeys too.”
― Jean Rhys, Voyage in the Dark