Renee Godding
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Renee Godding

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The Dead of Summer
Renee Godding is currently reading
by Ryan La Sala (Goodreads Author)
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“As people grow up, childhood becomes foggy, but no matter who you ask, they always remember the weather. They forget the locations of their schools, the names of their best friends, the colours of their houses, but never the weather. Perhaps it is the tactility of air touching skin that makes it impossible to forget. We remember it with our bones, our muscles, our skin. So even though I had been living with the cold for over half of my life, if I just closed my eyes, I could still feel the full sun blazing over Five Poems Lake.”
An Yu, Sunbirth

Tory Henwood Hoen
“What I didn't know then: coming of age isn't something you can choreograph, and it doesn't happen all at once. You start the process; you stall; you regress; and then comes another growth spurt. Eventually, your path looks like a series of paw prints in the snow-layered, as if compelled by confusion or curiosity-that double back before veering off in the direction of destiny.”
Tory Henwood Hoen, Before I Forget

Sarah Moss
“There's something Fascist , don't you see, in the idea that your genes are your story?
I have learnt this: there are no border guards at the chambers of your heart. It's only the immigration officers who might care, where your mother was born, what passport your father carried.
If history grants you the chance, be free of all that, that's my advice”
Sarah Moss, Ripeness

“Romantic love was a clear-cut institution, bolstered by orthodoxy and ritual. When a man lost his wife, it was expected that his world would unravel. But friendship… friendship was a wilderness with no guide. There were no courting rituals one might follow to pursue it, and little sympathy for the gut-wrenching horror of its loss.”
Sheldon Costa, The Great Work

Claire Gleeson
“They are not here, her children. Not anymore. She finds them elsewhere sometimes. In the first smiles of her baby son, and the way his hair curls after a bath. They are in the high teenage voices of other children; girls the age her daughter would be now, with their gossamer clothing and their eyes lined in black uncertain rings. Her son, she finds sometimes in the gangs passing home from the primary school at the end of the road. The shove and snigger of them. The new unchildlike smell. And sometimes she sees them in her own face as she stares into the mirror after a night of broken milk-downed sleep, and counts the new lines around her eyes.
And she supposes, they are with Tom too. And she hopes that this is a solace and not a haunting.”
Claire Gleeson, Show Me Where It Hurts

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