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The Old Ways: A J...
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Tara Rodgers
“To me, the best music works at multiple levels in parallel: intellectual, sensual and spiritual. (Carla Scaletti)”
Tara Rodgers, Pink Noises: Women on Electronic Music and Sound

Tara Rodgers
“.. every piece of music is, in some sense, a metaphor for the way memories replay inside our heads over time. (Carla Scaletti)”
Tara Rodgers, Pink Noises: Women on Electronic Music and Sound

Mark Fisher
“The cause of eco-catastrophe is an imper- sonal structure which, even though it is capable of producing all manner of effects, is precisely not a subject capable of exercising responsibility.”
Mark Fisher, Capitalist Realism: Is There No Alternative?

Olivia Laing
“Foucault can mock sexual reformers as much as he likes for their belief that the absence of sexual restrictions will automatically mark the beginning of an era of freedom. However, unfortunately, the opposite statement is also true. Sexual freedom is dangerous and rebellious. It is not by chance that authoritarian regimes then and now lash out at homosexuality and abortion, trying to enclose each gender in a strictly defined framework and force them to perform reproductive duties, and it is not by chance that such prohibitions precede more inhumane acts — purges and genocide.”
Olivia Laing, Everybody: A Book About Freedom

Robert Walser
“I was never really a child, and therefore something in the nature of childhood will cling to me always, I'm certain. I have simply grown, become older, but my nature never changed. I enjoy mischief just as I did years ago, but that's just the point, actually I never played mischevious tricks. Once, very early on, I gave my brother a knock on the head. That just happened, it wasn't mischief. Certainly there was plenty of mischief and boyishness, but the idea always interested me more than the thing itself. I began, early on, to look for deep things everywhere, even in mischief. I don't develop. At least, that's what I claim. Perhaps I shall never put out twigs and branches. One day some fragrance or other will issue from my nature and my originating, I shall flower, and the fragrance will shed itself around a little, then I shall bow my head, which Kraus calls my stupid arrogant pig-head. My arms and legs will strangely sag, my mind, pride, and character, everything will crack and fade, and I shall be dead, not really dead, only dead in a certain sort of way, and then I shall vegetate and die for perhaps another sixty years. I shall grow old. But I'm not afraid of myself. I couldn't possibly inspire myself with dread. For I don't respect my ego at all, I merely see it, and it leaves me cold. Oh, to come in from the cold! How glorious! I shall be able to come into the warmth, over and over again, for nothing personal or selfish will ever stop me from becoming warm and catching fire and taking part. How fortunate I am, not to be able to see in myself anything worth respecting and watching! To be small and to stay small. And if a hand, a situation, a wave were ever to raise me up and carry me to where I could command power and influence, I would destroy the circumstances that had favored me, and I would hurl myself down into the humble, speechless, insignificant darkness. I can only breathe in the lower regions.”
Robert Walser, Jakob von Gunten

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