518 books
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2,293 voters
Iulia Necșulescu
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“Women were never absent from film history; they often simply weren’t documented as part of it because they did “women's work”, which was—by definition— insignificant, tedious, low status, and noncreative. In the golden age of Hollywood, women could be found in nearly every department of every studio, minding the details that might otherwise get in the way of more important, prestigious, or creative work (a.k.a. men's work).
If film historians consider the classical Hollywood era’s mode of production a system, we ought to consider women this system’s main-stay, because studios were built on their low-cost backs and scaled through their brush and keystrokes.”
― Never Done: A History of Women's Work in Media Production
If film historians consider the classical Hollywood era’s mode of production a system, we ought to consider women this system’s main-stay, because studios were built on their low-cost backs and scaled through their brush and keystrokes.”
― Never Done: A History of Women's Work in Media Production
“So what do you think it's all about? Life, I mean."
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
― Kate Remembered
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
― Kate Remembered
“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
― Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling
― Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling
“You don't always keep on the top", she began again. "My life, my career has been like a roller coaster. I've either been an enormous success or just a down-and-out failure, which is silly because everybody always asks me, 'How does it feel to make a comeback?' And I don't know where I've been! I haven't been away." She paused, and Vangkilde waited. "It's lonely and cold on the top...lonely and cold," she said very quietly.”
― Judy Garland
― Judy Garland
“So Marxism, for all its plurality, has been marked by the interplay of theoretical and political preoccupations. It has also been punctuated by widely perceived moments of internal crisis – starting in the late 1890s with the publication of Eduard Bernstein’s Preconditions of Socialism, but again during the First World War, in the 1930s, and at the end of the 1970s. Indeed, one of us has written, “Marxism is constitutively, from Marx’s contribution onwards, . . . crisis theory” (Kouvelakis 2005, 25). Perhaps there are two main reasons for this succession of crises. First, Marxism is inherently tied to capitalism, at once the object of the critique of political economy and an enemy to be vanquished. But since, as Marx and Engels showed in the Communist Manifesto, it is also a dynamic system constantly transforming itself, Marxism constantly falls victim to the anxiety that it is not adequate to its Protean antagonist, that it must run to keep up with the metamorphoses of bourgeois society. This is then connected to a second source of anxiety, namely that capitalism continues to exist, and that therefore the communist project remains unrealized, two centuries now after Marx’s birth.”
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Iulia’s 2025 Year in Books
Take a look at Iulia’s Year in Books, including some fun facts about their reading.
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