Iulia Necșulescu

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“So what do you think it's all about? Life, I mean."
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
A. Scott Berg, Kate Remembered

David Bordwell
“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

“So Marxism, for all its plurality, has been marked by the interplay of theoretical and political preoccupations. It has also been punctuated by widely perceived moments of internal crisis – starting in the late 1890s with the publication of Eduard Bernstein’s Preconditions of Socialism, but again during the First World War, in the 1930s, and at the end of the 1970s. Indeed, one of us has written, “Marxism is constitutively, from Marx’s contribution onwards, . . . crisis theory” (Kouvelakis 2005, 25). Perhaps there are two main reasons for this succession of crises. First, Marxism is inherently tied to capitalism, at once the object of the critique of political economy and an enemy to be vanquished. But since, as Marx and Engels showed in the Communist Manifesto, it is also a dynamic system constantly transforming itself, Marxism constantly falls victim to the anxiety that it is not adequate to its Protean antagonist, that it must run to keep up with the metamorphoses of bourgeois society. This is then connected to a second source of anxiety, namely that capitalism continues to exist, and that therefore the communist project remains unrealized, two centuries now after Marx’s birth.”
Alex Callinicos Stathis Kouvelakis Lucia Pradella

Madeleine K. Albright
“We cannot, of course, expect every leader to possess the wisdom of Lincoln or Mandela’s largeness of soul. But when we think about what questions might be most useful to ask, perhaps we should begin by discerning what our prospective leaders believe it worthwhile for us to hear.

Do they cater to our prejudices by suggesting that we treat people outside our ethnicity, race, creed or party as unworthy of dignity and respect?

Do they want us to nurture our anger toward those who we believe have done us wrong, rub raw our grievances and set our sights on revenge?

Do they encourage us to have contempt for our governing institutions and the electoral process?

Do they seek to destroy our faith in essential contributors to democracy, such as an independent press, and a professional judiciary?

Do they exploit the symbols of patriotism, the flag, the pledge in a conscious effort to turn us against one another?

If defeated at the polls, will they accept the verdict, or insist without evidence they have won?

Do they go beyond asking about our votes to brag about their ability to solve all problems put to rest all anxieties and satisfy every desire?

Do they solicit our cheers by speaking casually and with pumped up machismo about using violence to blow enemies away?

Do they echo the attitude of Musolini: “The crowd doesn’t have to know, all they have to do is believe and submit to being shaped.”?

Or do they invite us to join with them in building and maintaining a healthy center for our society, a place where rights and duties are apportioned fairly, the social contract is honored, and all have room to dream and grow.

The answers to these questions will not tell us whether a prospective leader is left or right-wing, conservative or liberal, or, in the American context, a Democrat or a Republican. However, they will us much that we need to know about those wanting to lead us, and much also about ourselves.

For those who cherish freedom, the answers will provide grounds for reassurance, or, a warning we dare not ignore.”
Madeleine K. Albright, Fascism: A Warning

“The repressive fifties were giving way to the rebellious sixties, symbolized by miniskirts and Playboy magazine and the young, progressive-thinking family in the White House. Elizabeth's great achievement during this period was that she made the public want her as she was: she made being sexy, independent and defiant of cultural norms the desirable way to be.”
william J Mann

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