Iulia Necșulescu

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“So what do you think it's all about? Life, I mean."
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
A. Scott Berg, Kate Remembered

“You don't always keep on the top", she began again. "My life, my career has been like a roller coaster. I've either been an enormous success or just a down-and-out failure, which is silly because everybody always asks me, 'How does it feel to make a comeback?' And I don't know where I've been! I haven't been away." She paused, and Vangkilde waited. "It's lonely and cold on the top...lonely and cold," she said very quietly.”
Anne Edwards, Judy Garland

David Bordwell
“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

“Though
the actresses who played female boys were of all ages and performed in a vari-
ety of acting styles, they were generally small, thin, white, and photogenic, and
their performances combined boldness and vulnerability. Their femaleness al-
lowed them to convey fragility and androgynous beauty. These performances
demonstrate that cross-gender casting, which may seem like an inherently
transgressive practice to twenty-first-century scholars, can also uphold conser-
vative gender, class, and racial regimes. At the same time, the performances
cannot be dismissed as reactionary or antifeminist, because they embodied
middle-class women’s sentimental politics and created a space in which wom-
en’s bodies had an important role in producing an idealized masculinity.”
Laura Horak, Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

Madeleine K. Albright
“We cannot, of course, expect every leader to possess the wisdom of Lincoln or Mandela’s largeness of soul. But when we think about what questions might be most useful to ask, perhaps we should begin by discerning what our prospective leaders believe it worthwhile for us to hear.

Do they cater to our prejudices by suggesting that we treat people outside our ethnicity, race, creed or party as unworthy of dignity and respect?

Do they want us to nurture our anger toward those who we believe have done us wrong, rub raw our grievances and set our sights on revenge?

Do they encourage us to have contempt for our governing institutions and the electoral process?

Do they seek to destroy our faith in essential contributors to democracy, such as an independent press, and a professional judiciary?

Do they exploit the symbols of patriotism, the flag, the pledge in a conscious effort to turn us against one another?

If defeated at the polls, will they accept the verdict, or insist without evidence they have won?

Do they go beyond asking about our votes to brag about their ability to solve all problems put to rest all anxieties and satisfy every desire?

Do they solicit our cheers by speaking casually and with pumped up machismo about using violence to blow enemies away?

Do they echo the attitude of Musolini: “The crowd doesn’t have to know, all they have to do is believe and submit to being shaped.”?

Or do they invite us to join with them in building and maintaining a healthy center for our society, a place where rights and duties are apportioned fairly, the social contract is honored, and all have room to dream and grow.

The answers to these questions will not tell us whether a prospective leader is left or right-wing, conservative or liberal, or, in the American context, a Democrat or a Republican. However, they will us much that we need to know about those wanting to lead us, and much also about ourselves.

For those who cherish freedom, the answers will provide grounds for reassurance, or, a warning we dare not ignore.”
Madeleine K. Albright, Fascism: A Warning

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