Iulia Necșulescu

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“...they had us working days and nights on end" Judy complained in McCall's. "They'd give us pep-up pills to keep us on our feet long after we were exhausted. Then they'd take us to the studio hospital and knock us cold with sleeping pills- Mickey sprawled out on one bed and me on another. Then after four hours they'd wake us up and give us the pep-up pills again so we could work another seventy-two hours in a row. Half of the time we were hanging from the ceiling, but it became a way of life for us.”
Anne Edwards, Judy Garland

“I've worked very hard, you know," she confided to him, "and I've planted some kind of-I've been lucky enough, I guess, to plant a star-and then people wanted to either get in the act or else they wanted to rob me emotionally or financially, whatever. And then walk away and it's always lonely”
Anne Edwards, Judy Garland

“Women were never absent from film history; they often simply weren’t documented as part of it because they did “women's work”, which was—by definition— insignificant, tedious, low status, and noncreative. In the golden age of Hollywood, women could be found in nearly every department of every studio, minding the details that might otherwise get in the way of more important, prestigious, or creative work (a.k.a. men's work).
If film historians consider the classical Hollywood era’s mode of production a system, we ought to consider women this system’s main-stay, because studios were built on their low-cost backs and scaled through their brush and keystrokes.”
Erin Hill, Never Done: A History of Women's Work in Media Production

Madeleine K. Albright
“We cannot, of course, expect every leader to possess the wisdom of Lincoln or Mandela’s largeness of soul. But when we think about what questions might be most useful to ask, perhaps we should begin by discerning what our prospective leaders believe it worthwhile for us to hear.

Do they cater to our prejudices by suggesting that we treat people outside our ethnicity, race, creed or party as unworthy of dignity and respect?

Do they want us to nurture our anger toward those who we believe have done us wrong, rub raw our grievances and set our sights on revenge?

Do they encourage us to have contempt for our governing institutions and the electoral process?

Do they seek to destroy our faith in essential contributors to democracy, such as an independent press, and a professional judiciary?

Do they exploit the symbols of patriotism, the flag, the pledge in a conscious effort to turn us against one another?

If defeated at the polls, will they accept the verdict, or insist without evidence they have won?

Do they go beyond asking about our votes to brag about their ability to solve all problems put to rest all anxieties and satisfy every desire?

Do they solicit our cheers by speaking casually and with pumped up machismo about using violence to blow enemies away?

Do they echo the attitude of Musolini: “The crowd doesn’t have to know, all they have to do is believe and submit to being shaped.”?

Or do they invite us to join with them in building and maintaining a healthy center for our society, a place where rights and duties are apportioned fairly, the social contract is honored, and all have room to dream and grow.

The answers to these questions will not tell us whether a prospective leader is left or right-wing, conservative or liberal, or, in the American context, a Democrat or a Republican. However, they will us much that we need to know about those wanting to lead us, and much also about ourselves.

For those who cherish freedom, the answers will provide grounds for reassurance, or, a warning we dare not ignore.”
Madeleine K. Albright, Fascism: A Warning

“So what do you think it's all about? Life, I mean."
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
A. Scott Berg, Kate Remembered

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