Iulia Necșulescu

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“I've worked very hard, you know," she confided to him, "and I've planted some kind of-I've been lucky enough, I guess, to plant a star-and then people wanted to either get in the act or else they wanted to rob me emotionally or financially, whatever. And then walk away and it's always lonely”
Anne Edwards, Judy Garland

“So what do you think it's all about? Life, I mean."
[...]
"To work hard", she said, "and to love someone". Then she paused. "And to have some fun", she added. "And if you're lucky, you keep your health...and somebody loves you back".”
A. Scott Berg, Kate Remembered

“You don't always keep on the top", she began again. "My life, my career has been like a roller coaster. I've either been an enormous success or just a down-and-out failure, which is silly because everybody always asks me, 'How does it feel to make a comeback?' And I don't know where I've been! I haven't been away." She paused, and Vangkilde waited. "It's lonely and cold on the top...lonely and cold," she said very quietly.”
Anne Edwards, Judy Garland

“The repressive fifties were giving way to the rebellious sixties, symbolized by miniskirts and Playboy magazine and the young, progressive-thinking family in the White House. Elizabeth's great achievement during this period was that she made the public want her as she was: she made being sexy, independent and defiant of cultural norms the desirable way to be.”
william J Mann

David Bordwell
“Someone might ask, if the dynamic of innovation consists of schema and revision, where does true originality come from? Is there no single work we can point to as the ultimate source of this or that new storrytelling strategy? I'm inclined to say there is no such source. Artists working in mass art forms find originality by revising schemas in circulation, or by revising ones that have fallen into disuse.”
David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

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