Tabby

“It was summer, and the world was as bright as a lightning flash. Blue sky. Red dirt. Everything was set alight. Vern tried to cherish it, to turn toward the sun the way bluebells did, but Vern still lusted after the dark of the woods, where she was born, where her true self had been made.”
― Rivers Solomon, Sorrowland

“I like the woods,” she said. “In them, the possibilities seem endless. They are where wild things are, and I like to think the wild always wins. In the woods, it doesn’t matter that there is no patch of earth that has not known bone, known blood, known rot. It feeds from that. It grows the trees. The mushrooms. It turns sorrows into flowers.”
― Rivers Solomon, Sorrowland

“I hope that even as Sorrrowland delves into the pain these colonial states have wrought, one might see the joy, triumph, and humor of those who resist, resist, resist. That said, there is no mincing words about some of the darker themes in this book. Note discussion and instances of racism, misogyny, self-harm, suicidality, and homophobia, inclusion of animal death and explicit violence, and references to sexual violence that have taken place off the page.
I hope you find in this book whatever it is you need right this moment.”
― Rivers Solomon, Sorrowland

“This story takes place on stolen land. While Sorrowland is set in a United States with a speculative and amorphous shape, the geography and settings explored are based on areas traditionally stewarded by the Tonkawa, Caddo Nation, and Lipan Apache in what are colonially known as Central and East Texas, as well as on lands historically, inhabited by various Plains nations with shifting territories, including the Apsáalooke/Crow, Oceti Sakowin/Sioux, and Arapaho, in what settlers have designated Wyoming and Montana. No story of the so-called United States is complete without an understanding of its foundation on genocide and dislocation, nor without acknowledgment of the Indigenous people still here fighting the ongoing occupation.”
― Rivers Solomon, Sorrowland