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“In my fortress, in the Via Appia Antica in Rome, I wrote the first script for my film PAGANINI. It was not a script in the common sense. Not even a testament. And yet it was more than that: A shorthand note, which I had received on a wavelength of an earlier life over the distance of centuries away .
For the time being, I did not require more. The structure of my film originated in the instinct: Notes. Notes of music. Notes of captured images (and dialogues). Notes of feelings. Everything else I would decide in the course of the actual shooting.”
― Paganini (Heyne allgemeine Reihe)
For the time being, I did not require more. The structure of my film originated in the instinct: Notes. Notes of music. Notes of captured images (and dialogues). Notes of feelings. Everything else I would decide in the course of the actual shooting.”
― Paganini (Heyne allgemeine Reihe)
“Most likely, my film could have been compared to a highly sensible musical clip. An operatic musical clip. At that time, I had no idea of this expression. I did not puzzle my head over the form of my film, the structure arose, as I said before, from alone and urged me to commit this structure to paper.
Indications, suggestions, just sufficed. The audience should have the liberty to keep on thinking, conceiving, living. My film had to remain a fragment. Abstract it its form. Yet harmonical and first hand. It would have never occurred to me to lash up what I wanted to express into a waist coat of idiotically trimmed up film plots for the audience: with their meticulous and dictarioral logic and continutity. The attempt to wedge Paganini into the usual form of a movie, would have resulted in immuring him alive. For he did live – in me.”
― Paganini (Heyne allgemeine Reihe)
Indications, suggestions, just sufficed. The audience should have the liberty to keep on thinking, conceiving, living. My film had to remain a fragment. Abstract it its form. Yet harmonical and first hand. It would have never occurred to me to lash up what I wanted to express into a waist coat of idiotically trimmed up film plots for the audience: with their meticulous and dictarioral logic and continutity. The attempt to wedge Paganini into the usual form of a movie, would have resulted in immuring him alive. For he did live – in me.”
― Paganini (Heyne allgemeine Reihe)
“I am your fairy tale. Your dream. Your wishes and desires, and I am your thirst and your hunger and your food and your drink.”
―
―
“Jazz!
A manifesto of survivors!
Insanity is shattered to pieces!
future of colours! red lemons! blue blood vesicle of black oranges!
The only ailment is the fever!
Revolution!
Amok run of the trumpets!
Overflow!
Plate streamed with blood!
A bitten heart!
Lung rupture!
Jazz! Jazz
Immortality of the nerves!"
Snippet from the poem "JAZZ"
by Klaus Kinski - Fever- Diary Of A Leper: Poems”
― Fieber: Tagebuch eines Aussätzigen : ein Bildband mit bisher unbekannten Gedichten und Fotografien
A manifesto of survivors!
Insanity is shattered to pieces!
future of colours! red lemons! blue blood vesicle of black oranges!
The only ailment is the fever!
Revolution!
Amok run of the trumpets!
Overflow!
Plate streamed with blood!
A bitten heart!
Lung rupture!
Jazz! Jazz
Immortality of the nerves!"
Snippet from the poem "JAZZ"
by Klaus Kinski - Fever- Diary Of A Leper: Poems”
― Fieber: Tagebuch eines Aussätzigen : ein Bildband mit bisher unbekannten Gedichten und Fotografien
“Rakovina velmi přesně vystihovala stav země na jaře 1969. Organismus žil, centra dosud pracovala, ale spojení mezi nimi bylo přerušeno. Byla to těžká a nevyléčitelná nemoc, v té chvíli to už chápali všichni. A začala hromadná pokání, plivání a úlitby. Léto šedesát devět bylo krátké. Když skončilo, tak jsem už byl v Německu. Natrvalo. Na čas. Na dvacet let.”
― Půlkacíř
― Půlkacíř
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