Helen

“When Calvin, Meg, and Mr. Murray make their desperate tesser from Camazotz to Ixchel, Mr. Murray tries to explain to Meg and Calvin the nature of the Dark Thing and IT. His thesis has an eerie resonance today, positing that a planet can become dark because of totalitarianism (and specific dictators are named on both sides of the political spectrum). But a planet can also become dark because of "too strong a desire for security... the greatest evil there is." Meg resists her father's analysis. What's wrong with wanting to be safe? Mr. Murray insists that "lust for security" forces false choices and a panicked search for safety and conformity. This reminded me that my grandmother would get very annoyed anyone would talk about "the power of live." Love, she insisted, is not power, which she considered always coercive. To love is to be vulnerable; and it is only in vulnerability and risk- not safety and security- that we overcome darkness.”
― Charlotte Jones Voiklis

“A hero whose heroism consists of killing people is uninteresting to me, and I detest the hormonal war orgies of our visual media, the mechanical slaughter of endless battalions of black-clad, yellow-toothed, red-eyed demons. War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to “a war against” whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the “right” side and therefore will win. Right makes might. Or does might make right?”
― Ursula K. Le Guin, A Wizard of Earthsea

“there is no inconsistency whatsoever between the election of Barack Obama to the highest office in the land and the existence of a racial caste system in the era of colorblindness. The current system of control depends on black exceptionalism; it is not disproved or undermined by it.”
― Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness

“In The Tombs of Atuan, the Old Powers, the Nameless Ones, appear as mysterious, ominous, and yet inactive. Arha/Tenar is their priestess, the greatest of all priestesses, whom the Godking himself is supposed to obey: But what is her realm? A prison in the desert. Women guarded by eunuchs. Ancient tombstones, a half-ruined temple, an empty throne. A fearful underground labyrinth where prisoners are left to die of starvation and thirst, where only she can walk the maze, where light must never come. She rules a dark, empty, useless realm. Her power imprisons her. This isn’t the rosy reassurance many novels at the time offered adolescents. It’s a very bleak picture of what a girl may expect. Arha’s life is dreary, unchanging, with almost no experience of kindness except from Manan the eunuch. The third chapter may be the cruelest, most hopeless passage in all the Earthsea books. By consenting to the death of “her” prisoners, Arha locks the prison door upon herself. Her whole life will be lived in a trap.”
― Ursula K. Le Guin, The Tombs of Atuan