Outis

“When the tragedies of others become for us diversions, sad stories with which to enthrall our friends, interesting bits of data to toss out at cocktail parties, a means of presenting a pose of political concern, or whatever…when this happens we commit the gravest of sins, condemn ourselves to ignominy, and consign the world to a dangerous course. We begin to justify our casual overview of pain and suffering by portraying ourselves as do-gooders incapacitated by the inexorable forces of poverty, famine, and war. “What can I do?” we say, “I’m only one person, and these things are beyond my control. I care about the world’s trouble, but there are no solutions.” Yet no matter how accurate this assessment, most of us are relying on it to be true, using it to mask our indulgence, our deep-seated lack of concern, our pathological self-involvement.”
― Lucius Shepard, The Best of Lucius Shepard

“Even the serenity he felt was something that needed to be understood; it seemed a symptom of a deeper and more complete understanding that lay yet beyond him.”
― Lucius Shepard, Life During Wartime

“It looked like a biology lesson for gods, or a snapshot of the kind of pornography which might be enjoyed by sentient planets.”
― Alastair Reynolds, Revelation Space

“Don’t you see the inevitability of this moment? I mean we’re talking serious process here, man. The perfect critic stepping forth from the demimonde of the war and blowing the heart of the painting to rubble, and then turning his weapon on the man whose actions have been the pure contrary of the work’s formal imperative.’ ‘I’m outta film,’ said the mestizo cameraman.”
― Lucius Shepard, Life During Wartime