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“What marriage offers - and what fidelity is meant to protect - is the possibility of moments when what we have chosen and what we desire are the same. Such a convergence obviously cannot be continuous. No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments, which give us the highest joy we can know; that of union, communion, atonement (in the root sense of at-one-ment)...
To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality.
(pg.117-118, "The Body and the Earth")”
― The Art of the Commonplace: The Agrarian Essays
To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality.
(pg.117-118, "The Body and the Earth")”
― The Art of the Commonplace: The Agrarian Essays
“Jack shook his head. 'Books. What is it with women and books? My sisters were the same. They were always buying books for boys they fancied.'
Ellie bent down and picked up the stone and put it on the table. 'It's like sending a love letter without having to write it yourself,' she said softly.”
― Who's Afraid of Mr Wolfe?
Ellie bent down and picked up the stone and put it on the table. 'It's like sending a love letter without having to write it yourself,' she said softly.”
― Who's Afraid of Mr Wolfe?
“That in some way he could work the fat off his soul the way a fighter went into the mountains to work and train in order to burn it out of his body”
― The Snows of Kilimanjaro and Other Stories
― The Snows of Kilimanjaro and Other Stories
“Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
―
―
“You're water. We're the millstone.
You're wind. We're dust blown up into shapes.
You're spirit. We're the opening and closing
of our hands. You're the clarity.
We're the language that tries to say it.
You're joy. We're all the different kinds of laughing.”
― The Essential Rumi
You're wind. We're dust blown up into shapes.
You're spirit. We're the opening and closing
of our hands. You're the clarity.
We're the language that tries to say it.
You're joy. We're all the different kinds of laughing.”
― The Essential Rumi
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Zainab’s 2024 Year in Books
Take a look at Zainab’s Year in Books, including some fun facts about their reading.
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