Hayley Smith

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Presumed Innocent
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The Love Songs of...
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  (page 257 of 816)
Jan 09, 2022 08:22PM

 
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Claudia Rankine
“Nobody notices, only you've known,

you're not sick, not crazy,
not angry, not sad--

It's just this, you're injured.”
Claudia Rankine, Citizen: An American Lyric

Margery Williams Bianco
“Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'

'Does it hurt?' asked the Rabbit.

'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'

'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'

'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.”
Margery Williams Bianco, The Velveteen Rabbit

Elizabeth Gilbert
“When I get lonely these days, I think: So BE lonely, Liz. Learn your way around loneliness. Make a map of it. Sit with it, for once in your life. Welcome to the human experience. But never again use another person's body or emotions as a scratching post for your own unfulfilled yearnings.”
Elizabeth Gilbert, Eat, Pray, Love

F. Scott Fitzgerald
“Well, let it pass, he thought; April is over, April is over. There are all kinds of love in the world, but never the same love twice.

--The Sensible Thing”
F. Scott Fitzgerald, The Short Stories

Claudia Rankine
“Again Serena’s frustrations, her disappointments, exist within a system you understand not to try to understand in any fair-minded way because to do so is to understand the erasure of the self as systemic, as ordinary. For Serena, the daily diminishment is a low flame, a constant drip. Every look, every comment, every bad call blossoms out of history, through her, onto you. To understand is to see Serena as hemmed in as any other black body thrown against our American background. “Aren’t you the one that screwed me over last time here?” she asks umpire Asderaki. “Yeah, you are. Don’t look at me. Really, don’t even look at me. Don’t look my way. Don’t look my way,” she repeats, because it is that simple.”
Claudia Rankine, Citizen: An American Lyric

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